{"title":"Laurence Sterne's Letters and Sermons: Glossing the Themes of Tristram Shandy","authors":"Richard C. Raymond","doi":"10.1353/cea.2023.0003","DOIUrl":null,"url":null,"abstract":"Abstract:Here, I shall analyze not only Sterne's letters but his sermons deliberative and judicial discourse to his parishioner-friends. In doing so, Sterne created in such texts a gloss of Tristram Shandy and its thematic center: the diseases of pride and malice as well as the cures for these ills found in laughter and friendship (1:19,32;4:401). Even while my analysis will echo the claims of other scholars that these categories of texts parallel the thematic center of his Sterne's fiction, I shall stress that Sterne created what amounts to a thematic gloss from a stance outside his novel. Unlike his fictionwriting contemporaries, whose used letters to drive plot within their novels, Sterne's letter-and-sermon gloss to Tristram Shandy underscores his abiding intent to challenge traditional boundaries between autobiography and fiction.","PeriodicalId":41558,"journal":{"name":"CEA CRITIC","volume":"85 1","pages":"39 - 57"},"PeriodicalIF":0.1000,"publicationDate":"2023-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CEA CRITIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cea.2023.0003","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Here, I shall analyze not only Sterne's letters but his sermons deliberative and judicial discourse to his parishioner-friends. In doing so, Sterne created in such texts a gloss of Tristram Shandy and its thematic center: the diseases of pride and malice as well as the cures for these ills found in laughter and friendship (1:19,32;4:401). Even while my analysis will echo the claims of other scholars that these categories of texts parallel the thematic center of his Sterne's fiction, I shall stress that Sterne created what amounts to a thematic gloss from a stance outside his novel. Unlike his fictionwriting contemporaries, whose used letters to drive plot within their novels, Sterne's letter-and-sermon gloss to Tristram Shandy underscores his abiding intent to challenge traditional boundaries between autobiography and fiction.