{"title":"A Timely Villon: Anachrony and Premodern Poetic Fiction","authors":"Helen Solterer","doi":"10.1353/nlh.2021.0014","DOIUrl":null,"url":null,"abstract":"Abstract:Jacques Rancière's poetic concept of anachrony provides a critical tool for probing the many times of premodern poetry. By suggesting the way poems \"take time against the grain,\" anachrony helps us to entertain them as \"modes of connection,\" as \"events,\" that can become present in times other than when they were first created. In Rancière's terms, anachronous poems make leaps in time, and activated once more, engage publics in various new places, about questions foreign to their first era. My test case in this essay: The Ballad of the Hanged Men and The Testament of François Villon. By examining literary translations of Villon's poetry in a growing transnational context, I argue for the unpredictable timeliness of this poetic fiction. In this argument, numerous creators compose Villon anew, including, for example, Édouard Glissant and his poems, other Black poets in the US, as well as writers in Enlightenment and modern-day Europe, in Japan around 1900, too. Such an understanding of Villon's poetry leads to a model of premodern fiction that encompasses the many instances it makes history.","PeriodicalId":19150,"journal":{"name":"New Literary History","volume":"52 1","pages":"311 - 334"},"PeriodicalIF":0.8000,"publicationDate":"2021-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Literary History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/nlh.2021.0014","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Jacques Rancière's poetic concept of anachrony provides a critical tool for probing the many times of premodern poetry. By suggesting the way poems "take time against the grain," anachrony helps us to entertain them as "modes of connection," as "events," that can become present in times other than when they were first created. In Rancière's terms, anachronous poems make leaps in time, and activated once more, engage publics in various new places, about questions foreign to their first era. My test case in this essay: The Ballad of the Hanged Men and The Testament of François Villon. By examining literary translations of Villon's poetry in a growing transnational context, I argue for the unpredictable timeliness of this poetic fiction. In this argument, numerous creators compose Villon anew, including, for example, Édouard Glissant and his poems, other Black poets in the US, as well as writers in Enlightenment and modern-day Europe, in Japan around 1900, too. Such an understanding of Villon's poetry leads to a model of premodern fiction that encompasses the many instances it makes history.
期刊介绍:
New Literary History focuses on questions of theory, method, interpretation, and literary history. Rather than espousing a single ideology or intellectual framework, it canvasses a wide range of scholarly concerns. By examining the bases of criticism, the journal provokes debate on the relations between literary and cultural texts and present needs. A major international forum for scholarly exchange, New Literary History has received six awards from the Council of Editors of Learned Journals.