The End of the Steppe Knights Existence or Last Manifestations of the Nomadic Spirit

IF 0.3 Q2 HISTORY
Azi Yessentugel, S. Shamakhay, M. Sarkulova, R. Imanzhusip
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Abstract

The relevance of this study lies in the lack of a qualitative study of such an important historical phenomenon as the order of knights serı. Steppe knights as the last manifestation of the fighting spirit of the Kazakh people is a wonderful personification of nomadic culture. The real nomads were members of the cavalry order who descended from the famous military aristocracy of the nomads. Their musical and poetic world included in the history of military service and culture is a vivid embodiment of nomadic life. The aim of the paper is to formulate the conventional representation of the cultural and spiritual values of the Kazakh people, making a cultural and philosophical analysis of all manifestations of the nomadic people. During the research, a cultural evaluation was given of some ideological, religious-ethical, and storylines dating back to the era of the Ancient Saks, Huns, and Turkic Khaganate that unfolded in Central Asia in the 18-19th and early 20th centuries, the latest manifestations of free thought, the art of the colonised people, the talent of comrades-in-arms, the ancient art of the Kazakh people that has not lost its characterisation based on folk traditions and religious beliefs. In this study, various methods such as induction, deduction, historical, and cross-analysis were used. The results of the study reveal the exceptional features of the formation and development of nomadic knights and their deep influence on the culture of the peoples of Central Asia, which will be useful for understanding the folk identity of culture, aspects of their origin, and history.
草原骑士存在的终结或游牧精神的最后表现
本研究的相关性在于缺乏对塞尔维亚骑士团这样一个重要的历史现象的定性研究。草原骑士作为哈萨克民族战斗精神的最后体现,是游牧文化的精彩化身。真正的游牧民族是骑兵阶层的成员,他们是游牧民族中著名的军事贵族的后裔。他们的音乐和诗歌世界包含在兵役和文化的历史中,是游牧生活的生动体现。本文的目的是制定哈萨克人民的文化和精神价值的传统表征,对游牧民族的所有表现形式进行文化和哲学分析。在研究期间,一个文化评价给出了一些意识形态,religious-ethical,和故事情节可以追溯到古代的萨克斯的时代,匈奴人,和展现在中亚的突厥Khaganate 18-19th和20世纪初,自由思想的最新表现,殖民地人民的艺术,战友的人才,古老的哈萨克人没有艺术失去了描述基于民族传统和宗教信仰。本研究采用归纳、演绎、历史、交叉分析等多种方法。研究结果揭示了游牧骑士形成和发展的独特特征及其对中亚民族文化的深刻影响,这将有助于理解文化的民间认同,其起源和历史的各个方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.90
自引率
20.00%
发文量
45
审稿时长
7 weeks
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