Transgender Shakespeare Performance: A Holistic Dramaturgy

IF 0.1 Q4 CULTURAL STUDIES
Sawyer K. Kemp
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引用次数: 5

Abstract

Abstract:Shakespeare's plays have long been viewed as a space where the boundaries of binary gendered sex, sexuality, and desire become murky. However, the contemporary social justice call for trans/gender-inclusivity has been ambivalently integrated into standing conventions of the Shakespeare theater. This essay close reads reviews and advertising materials to argue that contemporary Shakespeare performance is space in which a public makes meaning of gender nonconformism; as such, it is vital for performance institutions to become self-aware of their role in potential education or misrecognition. Recent productions at the African-American Shakespeare Company, the Pittsburgh Public Theater, and the California Shakespeare Theater offer examples of complex and holistic strategies for engaging transgender themes through staging, casting, and outreach programming.
跨性别的莎士比亚表演:一个整体的戏剧学
摘要:长期以来,莎士比亚的戏剧一直被视为一个二元性别、性和欲望的界限变得模糊的空间。然而,当代社会正义对跨性别/性别包容性的呼吁已经矛盾地融入了莎士比亚戏剧的传统。本文细读评论和广告材料,认为当代莎士比亚的表演是一个公众理解性别不一致的空间;因此,对于绩效机构来说,认识到自己在潜在教育或误解中的作用至关重要。非裔美国人莎士比亚剧团、匹兹堡公共剧院和加州莎士比亚剧院最近的作品提供了通过舞台、选角和外展节目来吸引跨性别主题的复杂和整体策略的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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