The National Protection War and the Intellectual Foundations of Chinese Warlordism

IF 1 4区 社会学 Q2 AREA STUDIES
Clemens Büttner
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引用次数: 0

Abstract

In 1915–1916, a coalition under the joint leadership of the military officers Cai E, Tang Jiyao, and Li Liejun fought the National Protection War 护国战争 to prevent Yuan Shikai from restoring the monarchy in China. Their declared goal was to defend the Republican polity, yet despite their victory, the Republic did not resurge. I argue that the actions of these men were motivated by two interdependent ideas that decisively contributed to the later rise of warlordism: the assumption that the professional soldier ought to play a prominent role in the Chinese nation-state-building project and the belief that the military man was obligated to defend the Chinese nation against all threats. By tracing the origins, implementation, and reception of these ideas, I focus on the previously neglected intellectual foundations of Chinese warlordism. The victory of Cai and his comrades-in-arms and the overwhelming public appreciation of their actions following the war would come to encourage an ever-growing number of military men—who soon were to be decried as “warlords” 军阀—to also intervene in political affairs.
保国战争与中国军阀主义的思想基础
他们宣称的目标是捍卫共和政体,然而尽管他们取得了胜利,共和政体并没有复兴。我认为,这些人的行为是由两种相互依存的思想所驱动的,这两种思想对后来军阀主义的兴起起了决定性的作用:一种是职业军人应该在中国的民族国家建设项目中发挥突出作用的假设,另一种是军人有义务保卫中华民族免受一切威胁的信念。通过追溯这些思想的起源、实施和接受,我把重点放在了以前被忽视的中国军阀主义的思想基础上。蔡和他的战友们的胜利,以及战后公众对他们行动的压倒性赞赏,将会鼓励越来越多的军人——他们很快就被谴责为“军阀”——也干预政治事务。
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来源期刊
Modern China
Modern China AREA STUDIES-
CiteScore
1.70
自引率
10.00%
发文量
26
期刊介绍: Published for over thirty years, Modern China has been an indispensable source of scholarship in history and the social sciences on late-imperial, twentieth-century, and present-day China. Modern China presents scholarship based on new research or research that is devoted to new interpretations, new questions, and new answers to old questions. Spanning the full sweep of Chinese studies of six centuries, Modern China encourages scholarship that crosses over the old "premodern/modern" and "modern/contemporary" divides.
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