Public Libraries as Agonistic Spaces: At the Crossroads of Librarianship and Contemporary Artistic Practices

Irena Bekić, Petra Dolanjski
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引用次数: 0

Abstract

The paper deals with the possibilities of engaged interdisciplinary activity implemented at the crossroads of librarianship and contemporary art practices. By relying on the theoretical concepts on which critical librarianship is based on the one hand, and contemporary art on the other hand, a possibility is shown of their interference with the aim to introduce a critical perspective within librarianship through art and to establish a new methodology at the crossroads of the two disciplines. The aforementioned is demonstrated in the paper through the coexistence and activity of S. S. Kranjcevic Library and Prozori Gallery (Zagreb City Libraries), the programmatic and curatorial concept of which deals with the questions of the manner in which the theoretical positions of contemporary art and their practical and discursive analysis can contribute to the visibility, importance, and cultural capital of the library, the library profession, and the encouragement of critical attitude within the framework of information and communication sciences, the branch of which being librarianship, with emphasis on the project “Uncertain Interventions: LGBTIQ Users in Public Libraries” as a case study. Finally, the paper introduces the concept of libraries as agonistic public spaces.
公共图书馆作为激动人心的空间:在图书馆事业与当代艺术实践的十字路口
本文讨论了在图书馆事业和当代艺术实践的十字路口实施跨学科活动的可能性。通过一方面依赖于批判性图书馆学所基于的理论概念,另一方面依赖于当代艺术,展示了它们相互干扰的可能性,目的是通过艺术在图书馆学中引入批判性视角,并在两个学科的十字路口建立新的方法论。本文通过S. S. kranjevic图书馆和Prozori画廊(萨格勒布城市图书馆)的共存和活动证明了上述内容,其程序性和策展性概念处理当代艺术的理论立场及其实践和话语分析如何有助于图书馆,图书馆职业的可见性,重要性和文化资本的问题。鼓励在信息传播科学(图书馆学是其分支)框架内的批判态度,并以“不确定的干预:公共图书馆中的LGBTIQ用户”项目为例进行研究。最后,介绍了图书馆作为竞争公共空间的概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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14 weeks
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