Collaborative Visual Ethnography as Anarchist Anthropology

Steve Moog
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引用次数: 1

Abstract

Abstract:In DIY punk scenes around the world there are varying interpretations of what ‘doing-it-yourself ’ means. For the punks at Rumah Pirata, a punk collective near Bandung, Indonesia, DIY is a form of practiced anarchism. They frame their definition of DIY around interactions based on mutual aid, non-hierarchical organizational practices, and deep-seated anti-capitalist sentiments. To them, doing-it-yourself means doing-it-with-friends and doing-it-without-profiting. In many ways, the power dynamics embedded in standard ethnographic research run counter to Rumah Pirata’s collectivist ethics. In this article I discuss a collaborative visual ethnography project done in conjunction with the Rumah Pirata collective, designed to incorporate DIY anarchist principles into ethnographic methods. Through participatory ethnographic photography and the collective construction of a photo-book/zine, I demonstrate that collaborative visual methods offer a way to curtail the power dynamics inherent in ethnography, thereby facilitating enhanced understandings of the interworking of a punk anarchist collective.
作为无政府主义人类学的合作视觉人种学
摘要:在世界各地的DIY朋克场景中,人们对“自己动手”的含义有不同的解释。对于印尼万隆附近的朋克团体Rumah Pirata的朋克来说,DIY是一种实践的无政府主义。他们围绕基于互助、非层级组织实践和根深蒂固的反资本主义情绪的互动来定义DIY。对他们来说,自己做这件事意味着和朋友一起做,而且不盈利。在许多方面,嵌入标准人种学研究中的权力动态与鲁玛·皮拉塔的集体主义伦理背道而驰。在这篇文章中,我讨论了一个与Rumah Pirata集体合作的视觉民族志项目,该项目旨在将DIY无政府主义原则纳入民族志方法中。通过参与性的民族志摄影和摄影书/杂志的集体构建,我证明了合作视觉方法提供了一种减少民族志固有的权力动态的方式,从而促进了对朋克无政府主义集体相互作用的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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