Media-médium: entre la etnografía y el cine comunitario

Abstract

Through the ethnographic account of a series of field experiences lived during the production of communitarian cinema with indigenous peoples, the author proposes to explore the implications of cinema beyond the final cut of the work and inquiries about the cinematographic process and the different dimensions of the social which cross through it. At the end, she refers to the expansion of the film outside its temporal and physical limits stating that films are in continuous realization and that their projection is a performance which completes them.