Designing 3-D Prints for Blind and Partially Sighted Audiences in Museums: Exploring the Needs of Those Living with Sight Loss

IF 1.6 Q3 HOSPITALITY, LEISURE, SPORT & TOURISM
P. Wilson, Susan Griffiths, Ellissa Williams, M. P. Smith, M. Williams
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引用次数: 10

Abstract

Abstract Modern museum practice embraces equal access for all, but access for blind and partially-sighted (BPS) audience remains problematic given the ocularcentricity of museums. Many museum professionals and BPS visitors remain frustrated by the degree of accessibility on offer. The use of 3-D printed replicas as a handling surrogate represents a solution, allowing BPS visitors to engage tactually with museum content while minimizing risk. However, the design of such replicas is poorly researched. This exploratory examination of the design of 3-D printed replicas utilizes semi-structured interviews, sensory observations and content analysis to examine BPS perceptions of museum objects in the absence of interpretational support. Interpretation was dominantly multisensory, while participants found it easier to determine material traits than object traits, with textual, geometrical and optical properties being of use. Assistive approaches rather than major alterations were favored. Overall, museum professionals should consider how the process of 3-D printing influences BPS perception.
为博物馆中的盲人和弱视观众设计3d打印:探索视力丧失者的需求
现代博物馆的实践要求所有人都能平等地进入博物馆,但由于博物馆的视觉中心性,盲人和部分视力(BPS)观众的进入仍然存在问题。许多博物馆专业人士和BPS游客仍然对提供的无障碍程度感到沮丧。使用3d打印复制品作为处理代理代表了一种解决方案,使BPS游客能够真正参与博物馆内容,同时最大限度地降低风险。然而,这种复制品的设计研究很少。这种对3d打印复制品设计的探索性检查利用半结构化访谈,感官观察和内容分析来检查在没有解释支持的情况下BPS对博物馆物品的感知。解释主要是多感官的,而参与者发现材料特征比物体特征更容易确定,文本、几何和光学特性都是有用的。辅助方法比重大改变更受欢迎。总的来说,博物馆专业人员应该考虑3d打印过程如何影响BPS的感知。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Visitor Studies
Visitor Studies HOSPITALITY, LEISURE, SPORT & TOURISM-
CiteScore
2.90
自引率
13.30%
发文量
9
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