“Now Quickly, Now Again Slowly”: Tempo Modification in and Around Praetorius

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2019-10-30 DOI:10.3986/dmd15.1-2.03

D. Marincic

引用次数: 0

Abstract

Michael Praetorius describes tempo modification in a variety of contexts. Performers changed the speed of the tactus according to text and music, to move the affects, in accordance with dynamics or scoring, to adjust to changes in prevailing note-values, and for reasons of variety. Such practices were an important part of performance aesthetics and are confirmed by a number of German and Italian sources.

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“时而快，时而慢”:《禁卫歌》及其周围的节奏修改

Michael Praetorius在各种情况下描述了节奏的变化。表演者根据文本和音乐改变动作的速度，根据动态或评分来移动效果，以适应流行音符值的变化，以及出于多样性的原因。这种做法是表演美学的重要组成部分，并得到了许多德国和意大利来源的证实。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.