From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s

IF 0.7 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Fashion Theory-The Journal of Dress Body & Culture Pub Date : 2021-09-22 DOI:10.1080/1362704X.2021.1971882

Simona Segre-Reinach

引用次数: 0

Abstract

Abstract Each case tells a story in the global production of “national fashions,” a historically Eurocentric field. The first Italian-Chinese collaborations were characterized by joint ventures led by Italians and aimed at the Chinese market. New types of collaboration are vastly more complex. Indeed, they are reshaping Western-Chinese relations in both directions, and present a template for global fashion in the twenty-first century.

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从合资到合作项目：走向20世纪20年代中意时尚关系的民族志

摘要每一个案例告诉了一个“民族时装”全球生产的故事，这是一个历史上以欧洲为中心的领域。意大利和中国的第一次合作是以意大利人领导的合资企业为特点的，其目标是中国市场。新型协作要复杂得多。事实上，它们正在双向重塑中西关系，并为21世纪的全球时尚提供了模板。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Fashion Theory-The Journal of Dress Body & Culture HUMANITIES, MULTIDISCIPLINARY-

CiteScore

2.10

自引率

10.00%

发文量

期刊介绍： The importance of studying the body as a site for the deployment of discourses is well-established in a number of disciplines. By contrast, the study of fashion has, until recently, suffered from a lack of critical analysis. Increasingly, however, scholars have recognized the cultural significance of self-fashioning, including not only clothing but also such body alterations as tattooing and piercing. Fashion Theory takes as its starting point a definition of “fashion” as the cultural construction of the embodied identity. It provides an interdisciplinary forum for the rigorous analysis of cultural phenomena ranging from footbinding to fashion advertising.