Culture, art and artifice: theatre as a laboratory for identity / Cultura, arte y artificio: el teatro como laboratorio de identidades

IF 0.8 4区 心理学 Q3 PSYCHOLOGY, MULTIDISCIPLINARY
A. Rosa, Candela Molina, A. Domínguez, J. Pérez, Marcela Lonchuk
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引用次数: 2

Abstract

Abstract This paper approaches theatre performance as a laboratory for the simulation of behaviour. The preparation of the professional production of a theatre play was observed and videotaped with the purpose of studying (a) the process of production of artefacts for giving sense to the play and each of its scenes, (b) shaping the identity of the characters, and (c) how these artefacts were reshaped and readjusted in successive rehearsals. Results support the thesis that the process of production of a scenic text can act as a simulation model for how cultural artefacts, conscious processes and behaviour get articulated when developing a character’s identity.
本文将戏剧表演作为模拟行为的实验室。为了研究(a)为戏剧及其每个场景赋予意义的人工制品的制作过程,(b)塑造角色的身份,以及(c)这些人工制品是如何在连续的排练中重塑和重新调整的,我们观察并录像了戏剧专业制作的准备过程。结果支持了这一论点,即场景文本的生产过程可以作为一个模拟模型,用于在发展角色身份时,文化制品、意识过程和行为是如何得到表达的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Estudios De Psicologia
Estudios De Psicologia PSYCHOLOGY, MULTIDISCIPLINARY-
CiteScore
1.40
自引率
0.00%
发文量
16
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