Drawings you can walk on – Mike Parr and the 20th Biennale of Sydney 2016

Q2 Arts and Humanities
Carolyn Murphy, Analiese Treacy
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引用次数: 4

Abstract

It would be great if people could walk on the work – that would be interesting. (Parr 2015, pers. comm., 27 October) This paper investigates the multifaceted conservation issues surrounding Mike Parr’s work the side I least like, a set of 164 drawings on cardboard belonging to the Art Gallery of New South Wales (AGNSW), and its installation in the 20th Biennale of Sydney in 2016. This paper considers the AGNSW’s role in working with the artist to ensure the appropriate display and preservation of these drawings, which for Parr are intentionally unstable (both physically and conceptually) and form part of an ongoing creative project entitled the Self Portrait Project.
你可以在上面行走的绘画——Mike Parr和2016年悉尼第20届双年展
如果人们能在上面行走,那就太好了——那会很有趣。(Parr 2015, pers.)本文调查了围绕迈克·帕尔(Mike Parr)作品的多方面保护问题,我最不喜欢的一面,这是一套属于新南威尔士州艺术画廊(AGNSW)的164幅纸板画,并于2016年在悉尼第20届双年展上展出。本文考虑了AGNSW在与艺术家合作中所扮演的角色,以确保这些绘画的适当展示和保存,这些绘画对Parr来说是故意不稳定的(无论是物理上还是概念上),并构成了一个正在进行的名为“自画像项目”的创意项目的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
AICCM Bulletin
AICCM Bulletin Arts and Humanities-Museology
CiteScore
0.50
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