Anthonie Blocklandt e l’Italia

IF 0.2 0 ART
Guido Checchi
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引用次数: 0

Abstract

Among the several studies dedicated to the northern Europe artists travelling in XVI century in Italy, stands out the lack of detailed work about Anthonie Blocklandt van Montfoort (1533/1534-1583), a noble origin painter from Utrecht, who was in Rome in 1572. My articles focus on the very first works made by Blocklandt - according to stylistic analysis and few information - after his journey in Rome, one of the least known period of his activity. Starting from his interesting for Parmigianino and his controversial relationship with Michelangelo, as reported by biographer Karel van Mander, the article tries to find which models Blocklandt can have turned his attention during the stay in Rome and who others artists he can allegedly have met. Anthonie Blocklandt van Montfoort, Karel Van Mander, Utrecht, Roma, Oratorio del Gonfalone, XVI s.
Anthonie Blocklandt和意大利
在专门研究16世纪在意大利旅行的北欧艺术家的几项研究中,缺乏对乌得勒支出身的贵族画家安东尼·布洛克兰特·范·蒙福特(1533/1534-1583)的详细研究,他于1572年在罗马。我的文章关注的是布洛克兰特的最初作品——根据风格分析和很少的信息——在他的罗马之旅之后,这是他最不为人所知的活动时期之一。根据传记作家卡雷尔·范·曼德(Karel van Mander)的报道,这篇文章从他对帕尔马贾尼诺(Parmigianino)的兴趣以及他与米开朗基罗(Michelangelo)有争议的关系开始,试图找出Blocklandt在罗马期间可能吸引了哪些模特,以及据称他还会见了哪些其他艺术家。安东尼·布洛克兰特·范·蒙福特,卡雷尔·范·曼德,乌得勒支,罗马,贡法隆清唱剧,16世纪。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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