The figure of the martyr in Ngũgĩ wa Thiong’o’s short fiction

Q4 Arts and Humanities
Ars Aeterna Pub Date : 2021-12-01 DOI:10.2478/aa-2021-0017
Simona Klimková
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引用次数: 1

Abstract

Abstract In many ways, Ngũgĩ‘s collection Secret Lives and Other Stories (1975) foreshadows his latternovels and their thematic preoccupations as it portrays colonial encounters and social and political upheavals in (post)colonial Kenya. The paper focuses primarily on selected stories included in the second section of the collection which revolve around the theme of fighters and martyrs. Ngũgĩ‘s adoption of Christian imagery, on which he relies quite heavily in his novels as well, enables him to articulate the ambivalent position and conflicts of his characters, both African and European. The motif of martyrdom is associated both with the clashing worlds of Christianity and the Gikuyu religion (addressing primarily the subject of conversion), and the Mau Mau revolt which inevitably required communal sacrifices. The paper ponders on the various modifications of the motif and its potential functions.
Ngũgĩ中的殉道者形象是提奥的短篇小说
在许多方面,Ngũgĩ的《秘密生活和其他故事》(1975)预示了他的后期小说和他们的主题关注,因为它描绘了殖民遭遇和(后)殖民肯尼亚的社会和政治动荡。本文主要集中于选集第二部分中围绕战士和烈士主题的故事。Ngũgĩ对基督教意象的采用,在他的小说中也有很大的依赖,使他能够清晰地表达他的角色的矛盾立场和冲突,无论是非洲人还是欧洲人。殉难的主题与基督教和吉库尤宗教的冲突世界(主要涉及皈依的主题)以及不可避免地需要集体牺牲的茅茅起义联系在一起。本文对母题的各种修饰及其潜在功能进行了探讨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Ars Aeterna
Ars Aeterna Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
6
期刊介绍: The multidisciplinary journal focused on the questions of art and its importance in the contemporary world for the development of culture, mutual understanding, and the human Self.
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