Into the Desert: Demons, Spiritual Focus, and the Eremitic Ideal in Morgan MS M.626

IF 0.8 1区 艺术学 N/A ART
Denva Gallant
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Abstract

At the turn of the fourteenth century, eremitic life—typified by the third- and fourth-century saints known as the Desert Fathers—was presented as a spiritual ideal not only for mendicant friars who struggled to balance the vita activa with the vita contemplativa, but also for the laity, who were encouraged to withdraw to their own “desert” or to any space where they could connect with God. Art historians have traditionally explored the significance of the Desert Fathers during this period by examining wall and panel paintings, while illustrated copies of the tradition’s fundamental text have gone largely unremarked. This article addresses New York, The Morgan Library & Museum, MS M.626, a richly illuminated manuscript of the Vitae patrum, focusing on its abundant illustrations depicting the Desert Fathers’ battles with demons, which is an unusual feature among the illuminated manuscripts of the Vitae patrum from the period. By showing how the Desert Fathers struggled with demons, the Morgan manuscript teaches its viewers to value and exercise the skill of spiritual focus. Its illustrations, which train the viewers in the habits of the mind that make meditation, contemplation, and prayer possible, broaden our understanding of how images participated in the rise of the eremitic ideal, reinforcing and instructing the faithful in the modes of piety exemplified by the Desert Fathers.
《走进沙漠》:Morgan M.626中的魔鬼、精神焦点和狂热理想
在14世纪之交,以三、四世纪被称为“沙漠之父”的圣人为代表的隐逸生活,不仅被视为努力平衡积极生活与沉思生活的修士的精神理想,也被鼓励退到他们自己的“沙漠”或任何可以与上帝联系的空间的俗人的精神理想。传统上,艺术史学家通过研究墙壁和面板绘画来探索这一时期沙漠之父的意义,而传统基本文本的插图副本在很大程度上没有被注意到。本文介绍了纽约摩根图书馆和博物馆,MS M.626,一份丰富的Vitae patrum手稿,重点是其丰富的插图,描绘了沙漠之父与恶魔的战斗,这是该时期Vitae patrum的照亮手稿中的一个不寻常的特征。通过展示沙漠之父如何与恶魔抗争,摩根的手稿教会了观众重视和锻炼精神专注的技能。它的插图训练了观众的思维习惯,使冥想、沉思和祈祷成为可能,扩大了我们对图像如何参与隐士理想的兴起的理解,加强和指导信徒以沙漠之父为例的虔诚模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
8
期刊介绍: The Newsletter, published three times a year, includes notices of ICMA elections and other important votes of the membership, notices of ICMA meetings, conference and exhibition announcements, some employment and fellowship listings, and topical news items related to the discovery, conservation, research, teaching, publication, and exhibition of medieval art and architecture. The movement of some material traditionally included in the newsletter to the ICMA website, such as the Census of Dissertations in Medieval Art, has provided the opportunity for new features in the Newsletter, such as reports on issues of broad concern to our membership.
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