{"title":"The Image of the Homeland in the Letters of Antanas Vaičiulaitis","authors":"Gabija Bankauskaitė, Domantė Vaišvylaitė","doi":"10.15388/respectus.2019.36.41.27","DOIUrl":null,"url":null,"abstract":" The reflection of the homeland, the Lithuanian nation, the native land is very important in Antanas Vaičiulaitis’ creative work and personal correspondence. Letters, written 1924–1992 reveal a creative being, closely related to the formation of the image of Lithuania, its embodiment and the preservation of the memory of the motherland. The image of the homeland is often conveyed by the symbolism of a lost paradise, accompanied by the feelings of a tragic denouement. The construct of homeland as a paradise began to emerge in the writer’s early childhood, in letters it is portrayed as a mythical Eden. Through the mother, the space of home and the nature surrounding it, the metaphor of the motherland-fortress was formed. By comparing the homeland with his beloved mother, Antanas Vaičiulaitis conveyed the great pain, caused by the Lithuanian occupation. The letters’ image of homeland-paradise is associated with the ideals of patriotism, holiness of childhood and family, faith and also motives of loss and return, conveyed by the symbols of the tree and the bird. In the writer’s correspondence, through the personal context, complex emotional states reveal the cultural memory of the nation.","PeriodicalId":36933,"journal":{"name":"Respectus Philologicus","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Respectus Philologicus","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15388/respectus.2019.36.41.27","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
The reflection of the homeland, the Lithuanian nation, the native land is very important in Antanas Vaičiulaitis’ creative work and personal correspondence. Letters, written 1924–1992 reveal a creative being, closely related to the formation of the image of Lithuania, its embodiment and the preservation of the memory of the motherland. The image of the homeland is often conveyed by the symbolism of a lost paradise, accompanied by the feelings of a tragic denouement. The construct of homeland as a paradise began to emerge in the writer’s early childhood, in letters it is portrayed as a mythical Eden. Through the mother, the space of home and the nature surrounding it, the metaphor of the motherland-fortress was formed. By comparing the homeland with his beloved mother, Antanas Vaičiulaitis conveyed the great pain, caused by the Lithuanian occupation. The letters’ image of homeland-paradise is associated with the ideals of patriotism, holiness of childhood and family, faith and also motives of loss and return, conveyed by the symbols of the tree and the bird. In the writer’s correspondence, through the personal context, complex emotional states reveal the cultural memory of the nation.
在Antanas vaiai iulaitis的创作和个人书信中,对祖国立陶宛民族的反思是非常重要的。1924年至1992年写的信件揭示了一个创造性的存在,与立陶宛形象的形成、体现和对祖国记忆的保存密切相关。故土的形象往往以失乐园的象征主义来传达,伴随着悲剧性结局的感觉。故乡作为天堂的构想在作家的童年早期就开始出现,在书信中被描绘成一个神话般的伊甸园。通过母亲、家的空间和周围的自然,形成了祖国堡垒的隐喻。Antanas vai iulaitis将祖国与他深爱的母亲相比较,表达了立陶宛占领所造成的巨大痛苦。以树与鸟为象征的“家园天堂”意象,与爱国主义理想、童年与家庭的神圣、信仰以及失与归的动机联系在一起。在作者的书信中,通过个人语境,复杂的情感状态揭示了民族的文化记忆。