Jan Kochanowski’s Psalter – a Source of Polish Poetry and Mirror of the Human Mind

IF 0.3 0 RELIGION
Elwira Buszewicz
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引用次数: 0

Abstract

The article deals with Jan Kochanowski’s Psałterz Dawidów [David’s Psalter], published in 1579. This paraphrase of the biblical Psalter, intensely lyrical in its spirit, was inspired by George Buchanan’s Latin poetic paraphrase of the Psalms, which is strongly Horatianising. Kochanowski’s work can be seen as a presentation of humanist piety. That is to say that the borders between secular and sacred spaces, or even between Judeo-Christian and Pagan traditions, may seem blurred. The Psalter is also interconfessional (or “doctrinally neutral”) and acts as a universal mirror reflecting the human mind. The author analyses three of Kochanowski’s Psalms to demonstrate the intellectual and emotional space of his Psalter and its polyphonic structure: 1 (Beatus vir qui non abiit in consilio impiorum), 19 (Caeli enarrant gloriam Dei) and 91 (Qui habitat in adiutorio Altissimi), displaying some interplays of ideas and different approaches to paraphrasing applied by the poet.
简·科恰诺夫斯基的诗篇——波兰诗歌的源泉和人类心灵的镜子
这篇文章涉及Jan Kochanowski的Psałterz Dawidów[大卫的诗篇],出版于1579年。这是对《圣经诗篇》的改写,在其精神上是强烈的抒情,灵感来自乔治·布坎南对《诗篇》的拉丁诗歌释义,这是强烈的贺拉斯化。Kochanowski的作品可以看作是人道主义虔诚的表现。也就是说,世俗和神圣空间之间的界限,甚至是犹太教-基督教和异教传统之间的界限,似乎是模糊的。《诗篇》也是忏悔间的(或“教义中立”),并作为反映人类思想的普遍镜子。作者分析了科查诺夫斯基的三首诗篇:1 (Beatus vir qui non abiit in consilio impiorum), 19 (Caeli enarrant gloriam Dei)和91 (qui habitat in adiutorio Altissimi),以展示其思想和情感空间及其复调结构,并展示了诗人使用的不同意译方法和思想的相互作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Biblical Annals
Biblical Annals Arts and Humanities-Religious Studies
CiteScore
0.50
自引率
0.00%
发文量
32
审稿时长
24 weeks
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