Municipal Creativity: Approaches to Pluralistic Curatorship in the Israeli Art Scene

Nava Sevilla-Sadeh
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Abstract

This study stems from the understanding of a particular difference between art in ancient times and contemporary art, for while ancient and traditional art were an integral part of one’s daily life, contemporary art is detached and viewing and responding to it is a matter of choice. Another difference lies in the alienation that can exist in contemporary art, which is often not understood by those who do not engage in art as a profession or are not versed in the field of art. As a result, a situation has arisen in today’s modern world in which art tends to be the property of a limited public only, and the curatorial work is ostensibly directed at them. This study seeks to change this situation through a method defined here as “pluralistic curatorship”, based on the principle of pluralism in Israeli society. A pluralistic approach already exists to some extent on the Israeli art scene, but pluralistic curatorship still requires a defined, cohesive, and structured outline. This study presents five approaches to achieving such pluralistic curatorship, with the first three sections discussing the theoretical aspects and the last two sections discussing its practical implementation.
城市创意:以色列艺术界多元化策展的途径
这项研究源于对古代艺术和当代艺术之间特殊区别的理解,因为尽管古代艺术和传统艺术是人们日常生活中不可或缺的一部分,但当代艺术是超然的,观看和回应它是一个选择问题。另一个不同之处在于当代艺术中可能存在的异化,而那些不从事艺术专业或不精通艺术领域的人往往不理解这种异化。因此,在当今的现代世界中出现了一种情况,即艺术往往只是有限公众的财产,策展工作表面上是针对他们的。本研究基于以色列社会的多元化原则,试图通过一种被定义为“多元化策展”的方法来改变这种情况。在某种程度上,以色列艺术界已经存在多元化的方法,但多元化的策展仍然需要一个明确、连贯和结构化的轮廓。本研究提出了实现这种多元化策展的五种方法,前三部分讨论了理论方面,后两部分讨论了其实际实施。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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