Communication of crisis or crisis of communication? The conflicting “voices” of the covid 19 pandemic across the world

IF 0.1 Q4 CULTURAL STUDIES
G. Falco
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引用次数: 0

Abstract

After the outbreak of the coronavirus pandemic in China in December 2019, information spread globally as fast as the virus. Different stakeholders confronted daily in the rhetorical arenas of social media within and across countries, thus providing a bewildering view of the impact of COVID-19 on communication. This paper aims at investigating the crisis of communication during the first wave of the pandemic, drawing upon the rhetorical arena communication model (Johansen and Frandsen 2017). This model, which entails a macro- and a micro-layer of analysis, allows us to recognize the complexity of the inter-actorial relations taking place between various “voices”, e.g., political and economic actors, international organizations, healthcare professionals, and the media, who compete or collaborate to manage the crisis. In this regard, research is carried out on a set of corpora, including press releases issued by the WHO, political speeches released by Donald Trump and Boris Johnson, as well as reactions to them provided by public opinion via diverse social media outlets, in the period between January and June 2020. Attention is paid to the micro-level of the arena, in particular some specific “text” parameters, namely the verbal and visual semiotic adopted, the crisis communicative strategies of scapegoating and counterattack, metaphors and speech acts.
危机沟通还是危机沟通?世界各地对covid - 19大流行的相互矛盾的“声音”
2019年12月中国爆发新冠肺炎疫情后,信息在全球的传播速度与病毒一样快。不同的利益相关者每天在国内外社交媒体的修辞舞台上面对面,从而对新冠肺炎对传播的影响提供了令人困惑的观点。本文旨在研究第一波疫情期间的传播危机,借鉴修辞舞台传播模型(Johansen和Frandsen,2017)。该模型需要宏观和微观层面的分析,使我们能够认识到各种“声音”之间发生的内部关系的复杂性,例如政治和经济行为者、国际组织、医疗保健专业人员和媒体,他们竞争或合作来管理危机。在这方面,在2020年1月至6月期间,对一系列语料库进行了研究,包括世界卫生组织发布的新闻稿、唐纳德·特朗普和鲍里斯·约翰逊发布的政治演讲,以及公众舆论通过各种社交媒体对其做出的反应。关注舞台的微观层面,特别是一些特定的“文本”参数,即所采用的语言和视觉符号学、替罪羊和反击的危机交际策略、隐喻和言语行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
68
审稿时长
5 weeks
期刊介绍: Altre Modernità (AM), a six-monthly journal, ISSN 2035-7680, features articles, discussions, interviews, translations, creative works, reviews, and bibliographical information on the cultural production of Modernity. The themes and topics tackled in each issue will take Altre Modernità to areas of the world traditionally perceived as geographically and culturally disparate, aiming at capturing the newness of the cultural paradigms that are taking shape in several places today in order to isolate, subvert, weaken or transcend the monologic discourse of mainstream culture. AM is dedicated to the study of the peripheries of the world and the peripheries of societies that act as vibrant centres of cultural production, with special attention paid to those aspects of his cultural production that offer alternative models, suggestions and tools for overcoming it. The literary discourse still represents - for Altre Modernità - the point of departure and the unavoidable hub collating explorations in contiguous cultural and artistic fields. Altre Modernità is an Open Access journal devoted to the promotion of competent and definitive contributions to literary and cultural studies knowledge. The journal welcomes also works that fall into various disciplines: cultural studies, religion, history, literature, liberal arts, law, political science, computer science and economics that deal with contemporary issues, as listed in AM CfPs. Altre Modernità uses a policy of double-blind blind review (in which both the reviewer and author identities are concealed from the reviewers, and vice versa, throughout the review process) by at least two consultants to evaluate articles accepted for consideration. Altre Modernità promotes special issues on particular topics of special relevance in the cultural debates. Altre Modernità occasionally has opportunities for Guest Editors for special issues of the journal. Altre Modernità publishes at least 2 original issues in a calendar year.
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