{"title":"Cultural Interaction: The Transformation of Textile design for Traditional Cheongsam in the Republic of China","authors":"Jingnan Zhang, Yi Zhang, Rongrong Cui","doi":"10.2478/ftee-2022-0049","DOIUrl":null,"url":null,"abstract":"Abstract This paper aims to discuss the artistic characteristics of traditional cheongsam and the transformation that has taken place in cheongsam textile design in the Republic of China. By analysing a collection consisting of 259 traditional cheongsam material samples in various museums such as the China Silk Archives in Suzhou, we explored the transformation of cheongsam textile design during the Republic of China from the perspective of Eastern and Western art cultural exchanges and explored the spread of Western artistic thought in China. Our research shows that, firstly, with the development of industrialization, the traditional cheongsam textile business absorbed new design concepts; secondly, in terms of material selection and pattern style, it widened the range of fabrics used and broke the monotony of traditional Chinese patterns. Moreover, it reduced connotations of social class implied by traditional textile design. Finally, these textile designs reflect the progress that has been made in the development of this artistic trend and the cultural fusion of Eastern and Western arts during the Republic of China.","PeriodicalId":12309,"journal":{"name":"Fibres & Textiles in Eastern Europe","volume":"30 1","pages":"19 - 26"},"PeriodicalIF":0.7000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fibres & Textiles in Eastern Europe","FirstCategoryId":"88","ListUrlMain":"https://doi.org/10.2478/ftee-2022-0049","RegionNum":4,"RegionCategory":"工程技术","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"MATERIALS SCIENCE, TEXTILES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This paper aims to discuss the artistic characteristics of traditional cheongsam and the transformation that has taken place in cheongsam textile design in the Republic of China. By analysing a collection consisting of 259 traditional cheongsam material samples in various museums such as the China Silk Archives in Suzhou, we explored the transformation of cheongsam textile design during the Republic of China from the perspective of Eastern and Western art cultural exchanges and explored the spread of Western artistic thought in China. Our research shows that, firstly, with the development of industrialization, the traditional cheongsam textile business absorbed new design concepts; secondly, in terms of material selection and pattern style, it widened the range of fabrics used and broke the monotony of traditional Chinese patterns. Moreover, it reduced connotations of social class implied by traditional textile design. Finally, these textile designs reflect the progress that has been made in the development of this artistic trend and the cultural fusion of Eastern and Western arts during the Republic of China.
期刊介绍:
FIBRES & TEXTILES in Eastern Europe is a peer reviewed bimonthly scientific journal devoted to current problems of fibre, textile and fibrous products’ science as well as general economic problems of textile industry worldwide. The content of the journal is available online as free open access.
FIBRES & TEXTILES in Eastern Europe constitutes a forum for the exchange of information and the establishment of mutual contact for cooperation between scientific centres, as well as between science and industry.