{"title":"Casting negatives: Medardo Rosso’s Ecce Puer in light of the darkroom","authors":"Damian Taylor","doi":"10.3828/SJ.2019.28.1.4","DOIUrl":null,"url":null,"abstract":"Medardo Rosso (1858–1928) devoted his last decades to revising his existing sculptural corpus in unconventional ways. Key to this was his hands-on attention to casting and photography. Developing f...","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2019-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sculpture Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/SJ.2019.28.1.4","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Medardo Rosso (1858–1928) devoted his last decades to revising his existing sculptural corpus in unconventional ways. Key to this was his hands-on attention to casting and photography. Developing f...