Ch. Palahniuk’s Novel «Fight Club» in Terms of F. Nietzsche’s Philosophy of Nihilism

V. Lazarev, Tatyana Yu. Larina
{"title":"Ch. Palahniuk’s Novel «Fight Club» in Terms of F. Nietzsche’s Philosophy of Nihilism","authors":"V. Lazarev, Tatyana Yu. Larina","doi":"10.29025/2079-6021-2022-4-193-203","DOIUrl":null,"url":null,"abstract":"Based on the material of Ch. Palahniuk’s novel «Fight Club», the article examines the nihilistic predestination of the antihero’s split personality, taking into account F. Nietzsche’s conception. The aim of the study is to prove that the anonymous narrator and the character of Tyler Durden’s images, symbolizing two fragments of the antihero’s personality, manifest the passive and active nihilistic position, respectively. The research is carried out in the format of the comparative approach, which is aimed at identifying the features of Ch. Palahniuk’s creative reception of Nietzsche’s nihilistic ideas, parallels in their metaphysical worlds. The study showed that in order to highlight the process of disintegration of postmodern reality, Ch. Palahniuk uses the main provisions of Nietzsche’s philosophy of nihilism. The novel is interpreted in terms of F. Nietzsche’s philosophy, since it systematically reveals all aspects of nihilism. The characters’ images are based on the theory of religious, radical and complete nihilism. The concept of nihilism is explicated at the personal, psychological and sociological level of the narrative. Personal and psychological levels are combined in order to create images of religious, radical (active and passive) and complete nihilists. The narrator is a religious nihilist, and as the narrative unfolds, his passive nihilistic position increases. Tyler Durden, the antipode of the narrator’s split personality, turns out to be a complete nihilist. It is concluded that the combination of both fragments of the antihero’s personality forms the image of a radical nihilist who does not reach the stage of complete denial of higher values. The society reproduced in the text of the novel, based on the Christian-Platonic cultural tradition, suffers from religious nihilism. The narrative explicates Nietzsche’s principle of deconstruction in the direction of reconstruction. F. Nietzsche’s views of the complete nihilism as a project of superman are being realized. The superhuman spirit that Tyler possesses pushes his will to power to destroy civilization and instill faith in other characters in their will to power in order to achieve their aspirations, freedom from history, culture and the higher values that control them.","PeriodicalId":34231,"journal":{"name":"Aktual''nye problemy filologii i pedagogicheskoi lingvistiki","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aktual''nye problemy filologii i pedagogicheskoi lingvistiki","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29025/2079-6021-2022-4-193-203","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Based on the material of Ch. Palahniuk’s novel «Fight Club», the article examines the nihilistic predestination of the antihero’s split personality, taking into account F. Nietzsche’s conception. The aim of the study is to prove that the anonymous narrator and the character of Tyler Durden’s images, symbolizing two fragments of the antihero’s personality, manifest the passive and active nihilistic position, respectively. The research is carried out in the format of the comparative approach, which is aimed at identifying the features of Ch. Palahniuk’s creative reception of Nietzsche’s nihilistic ideas, parallels in their metaphysical worlds. The study showed that in order to highlight the process of disintegration of postmodern reality, Ch. Palahniuk uses the main provisions of Nietzsche’s philosophy of nihilism. The novel is interpreted in terms of F. Nietzsche’s philosophy, since it systematically reveals all aspects of nihilism. The characters’ images are based on the theory of religious, radical and complete nihilism. The concept of nihilism is explicated at the personal, psychological and sociological level of the narrative. Personal and psychological levels are combined in order to create images of religious, radical (active and passive) and complete nihilists. The narrator is a religious nihilist, and as the narrative unfolds, his passive nihilistic position increases. Tyler Durden, the antipode of the narrator’s split personality, turns out to be a complete nihilist. It is concluded that the combination of both fragments of the antihero’s personality forms the image of a radical nihilist who does not reach the stage of complete denial of higher values. The society reproduced in the text of the novel, based on the Christian-Platonic cultural tradition, suffers from religious nihilism. The narrative explicates Nietzsche’s principle of deconstruction in the direction of reconstruction. F. Nietzsche’s views of the complete nihilism as a project of superman are being realized. The superhuman spirit that Tyler possesses pushes his will to power to destroy civilization and instill faith in other characters in their will to power in order to achieve their aspirations, freedom from history, culture and the higher values that control them.
从尼采的虚无主义哲学看帕拉尼克的小说《搏击俱乐部》
本文以帕拉尼克的小说《搏击俱乐部》为材料,结合尼采的观点,考察了反英雄人格分裂的虚无主义宿命。本文的研究目的是为了证明泰勒·德顿作品中的匿名叙述者和人物形象作为象征反英雄人格的两个碎片,分别体现了被动和主动的虚无主义立场。本研究以比较方法的形式进行,其目的是确定帕拉尼克对尼采虚无主义思想的创造性接受的特征,在他们的形而上学世界中有相似之处。研究表明,帕拉尼克为了突出后现代现实的解体过程,使用了尼采虚无主义哲学的主要条款。这部小说系统地揭示了虚无主义的各个方面,因此从尼采的哲学角度来解读这部小说。这些人物形象是基于宗教的、激进的、彻底的虚无主义理论。虚无主义的概念在叙事的个人、心理和社会学层面得到阐述。个人和心理层面相结合,以创造宗教,激进(主动和被动)和彻底的虚无主义者的形象。叙述者是一个宗教虚无主义者,随着叙事的展开,他的被动虚无主义立场也在增加。Tyler Durden是叙述者人格分裂的对立面,他是一个彻头彻尾的虚无主义者。结论是,这两个反英雄人格碎片的结合形成了一个激进的虚无主义者的形象,他没有达到完全否认更高价值的阶段。小说文本中再现的基于基督教柏拉图主义文化传统的社会,遭受着宗教虚无主义的困扰。叙事在重构的方向上阐释了尼采的解构原则。尼采关于完全虚无主义的观点作为超人的计划正在实现。泰勒拥有的超人精神推动着他的权力意志去摧毁文明,并灌输给其他角色对权力意志的信仰,以实现他们的愿望,从控制他们的历史、文化和更高的价值观中获得自由。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
54
审稿时长
4 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信