Not only the Golden Gate? A newly discovered fragment from the decoration of the castle chapel portal in Althaus (Starogród) as a contribution to the identification of ceramic sculpture in the Teutonic Order's State in Prussia
{"title":"Not only the Golden Gate? A newly discovered fragment from the decoration of the castle chapel portal in Althaus (Starogród) as a contribution to the identification of ceramic sculpture in the Teutonic Order's State in Prussia","authors":"Juliusz Raczkowski","doi":"10.12775/OM.2018.012","DOIUrl":null,"url":null,"abstract":"The paper features new observations on ceramic architectural detail and ceramic sculptural elements, the most common types of finishing brick buildings in the Ordensland during the 13th and first half of the 14th centuries. It presents an unpublished fragment which came to light as a result of the archaeological excavations in Starogrod conducted in Kulmerland (Chelmno land) in the context of the project Castra Terrae Culmensis (2017), namely the fragment of a portal (?) sculpture of an unknown Saint. It is a minor discovery of small size, but compared to other preserved artwork of this type from around 1300 from the Teutonic Order’s castles of Marienburg (today Malbork), Elbing (Elbląg), Thorn (Torun), and Graudenz (Grudziądz), it is of great “causative power” in terms of revising our knowledge of types, manufacturing techniques, and above all, the actual layers of meaning with regard to figural decorations in the oldest Teutonic Order’s strongholds in Prussia. As a result, ceramic architectural sculpture can be considered a phenomenon of much wider range than has previously been accepted. The emphasis regarding its condition can be moved from the exceptional symbol of rank and power toward genius loci of architecture from the first phase of construction campaigns undertaken by the Teutonic Order in Prussia.","PeriodicalId":36536,"journal":{"name":"Ordines Militares","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ordines Militares","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12775/OM.2018.012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
The paper features new observations on ceramic architectural detail and ceramic sculptural elements, the most common types of finishing brick buildings in the Ordensland during the 13th and first half of the 14th centuries. It presents an unpublished fragment which came to light as a result of the archaeological excavations in Starogrod conducted in Kulmerland (Chelmno land) in the context of the project Castra Terrae Culmensis (2017), namely the fragment of a portal (?) sculpture of an unknown Saint. It is a minor discovery of small size, but compared to other preserved artwork of this type from around 1300 from the Teutonic Order’s castles of Marienburg (today Malbork), Elbing (Elbląg), Thorn (Torun), and Graudenz (Grudziądz), it is of great “causative power” in terms of revising our knowledge of types, manufacturing techniques, and above all, the actual layers of meaning with regard to figural decorations in the oldest Teutonic Order’s strongholds in Prussia. As a result, ceramic architectural sculpture can be considered a phenomenon of much wider range than has previously been accepted. The emphasis regarding its condition can be moved from the exceptional symbol of rank and power toward genius loci of architecture from the first phase of construction campaigns undertaken by the Teutonic Order in Prussia.
本文对陶瓷建筑细节和陶瓷雕塑元素进行了新的观察,这是13世纪和14世纪上半叶奥登斯兰最常见的砖砌建筑类型。在Castra Terrae Culmensis(2017)项目的背景下,在Kulmerland (Chelmno land)的Starogrod进行的考古发掘中发现了一个未发表的碎片,即一个不知名圣人的门户(?)雕塑的碎片。这是一个小尺寸的小发现,但与1300年左右从条顿骑士团的马里恩堡(今天的马尔堡)、埃尔宾(Elbląg)、索恩(托伦)的城堡保存下来的同类艺术品相比,和格劳登茨(Grudziądz),它在修订我们对类型,制造技术的知识方面具有巨大的“致病力”,最重要的是,在普鲁士最古老的条顿骑士团据点中,关于人物装饰的实际意义层次。因此,陶瓷建筑雕塑可以被认为是一种比以前所接受的范围更广泛的现象。关于其条件的重点可以从等级和权力的特殊象征转移到建筑的天才地点,从普鲁士条顿骑士团进行的建设运动的第一阶段。