Burying the Alabaster Goddess in Hellenistic Babylonia: Religious Power, Sexual Agency, and Accessing the Afterlife Through Ishtar-Aphrodite Figurines from Seleucid-Parthian Iraq

IF 0.9 1区 历史学 0 ARCHAEOLOGY
Stephanie M. Langin-Hooper
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Abstract

This article presents a new evaluation of alabaster figurines wearing crescent crowns, identified as the syncretized deity Ishtar-Aphrodite, from the Seleucid-Parthian period in Babylonia (ca. second century BCE–first century CE). Unlike previous studies, this article recontextualizes the alabaster goddesses as the most opulent and explicitly divine versions of two popular types in the broader, flourishing figurine tradition of Hellenistic Babylonia. Miniaturization theory, which elucidates the sensory and perceptual effects of small-scale objects, forms the methodological basis of this analysis, in dialogue with archaeological data and textual sources from Mesopotamia and the wider Hellenistic world. Using this approach, I argue that these figurines were open to identification as both goddesses and mortals so that a girl or woman could use them to construct her own sexual agency and facilitate her journey to the afterlife, even as she invoked the goddess’ assistance with both. The few unambiguous goddess figurines were depicted with crescent crowns to link their elite owners to the Babylonian temples and their prestigious astrological knowledge. This article makes the contribution of articulating the significant intertwining of Greek and Babylonian cultural values and religious beliefs that shaped these figurines, which were hybrid in more than just style.1
埋葬希腊化巴比伦的雪花石膏女神:宗教权力、性代理和通过塞琉古-帕提亚伊拉克的伊什塔尔·阿佛洛狄特雕像进入余生
本文对巴比伦尼亚塞琉古-帕提亚时期(约公元前2世纪-公元前1世纪)戴新月形王冠的雪花石膏雕像进行了新的评价,这些雕像被认定为融合神伊什塔尔·阿佛洛狄特。与之前的研究不同,本文将雪花石膏女神重新文本化为希腊化巴比伦更广泛、繁荣的雕像传统中两种流行类型中最华丽、最明确的神圣版本。微型化理论阐明了小规模物体的感官和感知效果,与美索不达米亚和更广泛的希腊化世界的考古数据和文本来源对话,构成了这一分析的方法论基础。使用这种方法,我认为这些雕像可以被识别为女神和凡人,这样女孩或女人就可以用它们来构建自己的性中介,并为她通往死后的旅程提供便利,即使她同时请求女神的帮助。为数不多的明确的女神雕像被描绘成新月形王冠,以将其精英主人与巴比伦神庙及其著名的占星术知识联系起来。这篇文章阐述了希腊和巴比伦文化价值观和宗教信仰的重要交织,这些雕像不仅仅是风格上的混合。1
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.00
自引率
8.30%
发文量
93
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