Slavic Mythology Lost in Fantasy

Q2 Social Sciences
Z. Obertova
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引用次数: 0

Abstract

Slavic myths increasingly survive in people’s consciousness as supernatural elements or as literary characters rather than as real beliefs in their existence. Adult readers in Poland and Slovakia, for example, encounter Slavic supernatural beings in the fantasy literature book series such as Wiedźmin by Andrzej Sapkowski and Černokňažník by Juraj Červenák; however, literature cannot be expected to portray superstitions and demons in the same way as belief legends. Placing Sapkowski’s and Červenák’s works within the context of ethnographically recorded beliefs illuminates various aspects of intercultural and intertextual relationships within the literary setting. This article shows that there are several types of literary adaptation of Slavic myths: adaptation in accordance with folk beliefs, denial of superstitions, incorporating a folk myth in order to create an illusion, and using the name of a demon while also adding characteristics from other sources – especially from popular culture.
迷失在幻想中的斯拉夫神话
斯拉夫神话越来越多地作为超自然元素或文学人物存在于人们的意识中,而不是作为他们存在的真实信仰。例如,波兰和斯洛伐克的成人读者在幻想文学系列丛书中遇到了斯拉夫超自然生物,如安德热伊·萨普考斯基的《Wied Rozmin》和尤拉杰·切尔文纳克的《Černokńažník》;然而,文学不能像信仰传说那样描绘迷信和恶魔。将萨普考斯基和Červenák的作品置于人种学记录的信仰背景下,阐明了文学环境中跨文化和互文关系的各个方面。这篇文章表明,斯拉夫神话的文学改编有几种类型:根据民间信仰改编,否认迷信,融入民间神话以制造幻觉,使用恶魔的名字,同时添加其他来源的特征,尤其是流行文化的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Narodna Umjetnost
Narodna Umjetnost Social Sciences-Cultural Studies
CiteScore
0.50
自引率
0.00%
发文量
9
审稿时长
20 weeks
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