{"title":"Remoulding of Ideology through Remediation: Axe and Deforestation as Gender Metaphors in an Animation and a Picture Book in Iran","authors":"Laleh Atashi","doi":"10.1163/15692086-bja10003","DOIUrl":null,"url":null,"abstract":"\nThis article examines an intermedial adaptation, focusing on the potentials of two different media in the presentation of conflicting ideologies in Iran: Tabar (“Axe”) (1980, dir. Ahmad Arabani), a silent animation, and the picture book of the same title, by Shekoofeh Taqi and Manoochehr Dehqan, published in 1985. The two works have been chosen because they were both published at a time when Iran was tackling serious internal and external tensions after the Islamic Revolution. The ideological content of both the picture book and the animation can shed light on the discourse of didacticism that prevailed in Iran during the 1980s. Both works feature deforestation as a threat, but patriotism is the theme of the animation, whereas female resistance against male oppression is the message of the picture book.","PeriodicalId":42389,"journal":{"name":"Hawwa","volume":"1 1","pages":"1-23"},"PeriodicalIF":0.3000,"publicationDate":"2020-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/15692086-bja10003","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hawwa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15692086-bja10003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines an intermedial adaptation, focusing on the potentials of two different media in the presentation of conflicting ideologies in Iran: Tabar (“Axe”) (1980, dir. Ahmad Arabani), a silent animation, and the picture book of the same title, by Shekoofeh Taqi and Manoochehr Dehqan, published in 1985. The two works have been chosen because they were both published at a time when Iran was tackling serious internal and external tensions after the Islamic Revolution. The ideological content of both the picture book and the animation can shed light on the discourse of didacticism that prevailed in Iran during the 1980s. Both works feature deforestation as a threat, but patriotism is the theme of the animation, whereas female resistance against male oppression is the message of the picture book.
期刊介绍:
Hawwa publishes articles from all disciplinary and comparative perspectives that concern women and gender issues in the Middle East and the Islamic world. These include Muslim and non-Muslim communities within the greater Middle East, and Muslim and Middle-Eastern communities elsewhere in the world. Articles dealing with men, masculinity, children and the family, or other issues of gender shall also be considered. The journal strives to include significant studies of theory and methodology as well as topical matter. Approximately one third of the submissions focus on the pre-modern era, with the majority of articles on the contemporary age. The journal features several full-length articles and current book reviews.