Queering the Subversive Stitch: Men and the Culture of Needlework

IF 0.5 2区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Christopher Breward
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引用次数: 0

Abstract

but also within the international fashion sector. Although the editors provide an excellent bibliographic review of Spanish fashion history in their introduction, the book omits bibliographic sources in international and Spanish historiography that would have helped to better contextualise the topic for an Anglo-Saxon audience. For example, references to the London punk underground movement, the fashion photography trends led by Martin Muncaksi and continued by Richard Avedon, or Balenciaga’s role in the international fashion scene during the 1940s, would have supported a better understanding of some of the topics discussed. After all, La Movida, Spanish fashion photography and Balenciaga’s work for Spanish films in the 1940s, were part of wider, international tendencies. The great merit of this edited volume is its inclusion of a diverse range of approaches that enrich the subject. It pioneers the study of current Spanish fashion and lays the foundations to move forward. Therefore, Fashioning Spain. From Mantillas to Rosal ıa is recommended reading for all scholars of Spanish fashion.
颠覆性的针法:男人与针线活文化
而且在国际时尚界也是如此。虽然编辑提供了一个优秀的参考书目回顾西班牙时尚史在他们的介绍,这本书省略了书目来源在国际和西班牙的历史,这将有助于更好地为盎格鲁-撒克逊观众的主题背景。例如,参考伦敦朋克地下运动、马丁·蒙卡西(Martin Muncaksi)引领并由理查德·埃夫登(Richard Avedon)延续的时尚摄影潮流,或者巴黎世家(Balenciaga)在20世纪40年代国际时尚舞台上的角色,这些都有助于更好地理解所讨论的一些主题。毕竟,La Movida、西班牙时装摄影和巴黎世家(Balenciaga)在20世纪40年代为西班牙电影设计的作品,都是更广泛的国际趋势的一部分。这个编辑卷的巨大优点是它包含了丰富主题的各种方法。它开创了当前西班牙时尚的研究,并奠定了向前发展的基础。因此,塑造西班牙。从Mantillas到Rosal ıa是所有西班牙时尚学者的推荐读物。
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来源期刊
TEXTILE HISTORY
TEXTILE HISTORY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.00
自引率
0.00%
发文量
0
期刊介绍: Textile History is an internationally recognised, peer reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published in the spring and autumn of each year, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of scholarship arising from the history of textiles and dress. Since its foundation the scope of the journal has been substantially expanded to include articles dealing with aspects of the cultural and social history of apparel and textiles, as well as issues arising from the exhibition, preservation and interpretation of historic textiles or clothing.
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