SASTRA LISAN BERBASIS INDUSTRI KREATIF: Ruang Penyimpanan, Pengembangan, dan Identitas

Novi Anoegrajekti, Sudartomo Macaryus
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引用次数: 2

Abstract

This paper aims to explain the development of creative oral literature based on creative industries in Banyuwangi that develop autonomously along with traditional and modern art, such as janger, fashion, dance, and song. With the ethnographic method, the research begins with an inventory of library data and is equipped with field data collected through interviews, observation, and participation. The story of Sri Tanjung Sidopekso becomes the janger play and theme of Banyuwangi Ethno Carnival. The mantra of jaran goyang is transformed into dance and song. Various creative industries have the potential as a source of reconstructing oral literature. In coastal societies, there has developed oral literature related to maritime culture. In Muncar Banyuwangi, the rituals of petik laut use spells and maritime cultural symbols, such as mantras, pilgrimages to the tombs of the founders of the Muncar fishing village. While in Payangan Jember, the story of the founders of the fishing village is respected by singing macapat Babad Marsodo. All of those are meaningful when they become action, knowledge, experience, and appreciation of the supporting community. The results show that oral literature has the potential to inspire the creative industries. Re-versely, creative industries have the potential as a source for reconstructing oral literature that enriches their forms and versions.
基于创意产业的口语文学:存储、发展和身份
本文旨在解释基于创意产业的Banyuwangi创意口头文学的发展,这些创意产业与传统和现代艺术,如音乐,时尚,舞蹈,歌曲等一起自主发展。采用人种学方法,研究从图书馆数据清单开始,并配备了通过访谈、观察和参与收集的实地数据。Sri Tanjung Sidopekso的故事成为Banyuwangi民族狂欢节的主题。日本高阳的咒语被转化为舞蹈和歌曲。各种创意产业都有可能成为重塑口头文学的源泉。在沿海社会,已经发展了与海洋文化有关的口头文学。在Muncar Banyuwangi, petik laut的仪式使用咒语和海洋文化符号,如咒语,向Muncar渔村创始人的坟墓朝圣。而在Payangan Jember,这个渔村的创始人的故事是由唱歌的macapat Babad Marsodo来尊重的。所有这些都是有意义的,当它们成为行动,知识,经验和对支持社区的欣赏。结果表明,口头文学具有激发创意产业的潜力。相反,创意产业有潜力成为重塑口头文学的来源,丰富口头文学的形式和版本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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