Joining a Festival During a Pandemic: Martine Dennewald and Jessie Mill Discuss the Tiohtiá:ke/Montréal-based Festival TransAmériques (FTA)

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2119963

Karen Fricker, Melissa Poll

引用次数: 0

Abstract

Abstract In this interview, Karen Fricker and Melissa Poll speak with Martine Dennewald and Jessie Mill, the new co-directors of the Tiohtiá:ke/Montréal-based Festival TransAmériques (FTA), North America’s largest performing arts festival. Dennewald and Mill discuss how COVID-19 and the global racial reckoning have impacted the FTA, particularly through the festival’s approach to artist–producer partnerships and ways of working.

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在大流行期间加入节日:马丁·丹内瓦尔德和杰西·米尔讨论基于tiohti / montrsamriques的节日transamsamriques (FTA)

在本次采访中，凯伦·弗里克和梅丽莎·波尔采访了北美最大的表演艺术节“跨amsamriques”(FTA)的新任联合总监玛蒂娜·丹内瓦尔德和杰西·米尔。Dennewald和Mill讨论了2019冠状病毒病(COVID-19)和全球种族清算如何影响自由贸易协定，特别是通过艺术节对艺术家与制片人合作关系的方式和工作方式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

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0.50

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期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.