The Genesis of Yi’an Style (易安體) in Medieval Chinese Poetry

Q2 Arts and Humanities
H. Dashchenko
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引用次数: 0

Abstract

This article deals with the genesis of Yi’an style (易安體), the poetic style of the outstanding Chinese female poet of the Song dynasty Li Qingzhao (李清照, 1084–1155?). The empirical material for this research is her extant early 22 ci (1098–1108). The first part of the article briefly discusses the specific features of ci genre, which reached its heyday during the Song dynasty (宋朝, 960–1279). The second part examines the peculiar features of Li Qingzhao’s early ci, which indicate her pushing the limits of writing traditional Chinese poetry. These features are 1) modification of the classical themes and images; 2) introduction of love and erotic ci from a female perspective; 3) experiments with the composition of ci and their rhythmic and melodic structure. She introduced the lyric element into conventional ci, composing the poems with strong personal engagement. Her genre innovations lie in overcoming the limits and conventions of the genre, legitimating the Self of a poet in her distinctive personal style – Yi’an style.
义安体的成因(易安體) 中国中世纪诗歌
本文探讨了中国宋代杰出女诗人李清照(1084-1155 ?)的诗体“一安体”的起源。本研究的经验材料是她现存的22世纪早期(1098-1108)。文章的第一部分简要地讨论了词的具体特点,它在宋代达到了鼎盛时期(960-1279)。第二部分考察了李清照早期词的独特之处,这是她对中国传统诗歌创作的突破。这些特征是:1)对经典题材和形象的修改;2)从女性视角引入爱情与情色词;3)对词的构成及其节奏和旋律结构进行实验。她将抒情元素引入传统词中,以强烈的个人投入创作诗歌。她的体裁创新在于突破体裁的局限和约定俗成,以她独特的个人风格——易安风格,为诗人的自我正名。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Respectus Philologicus
Respectus Philologicus Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
12 weeks
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