Sound as a producer of social spaces in museum exhibitions

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Alcina Cortez
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引用次数: 0

Abstract

In recent years, multimodal exhibition practices in which sound appears as a fundamental element have exponentially increased in museums. This phenomenon is based on the recognition that sound is a noteworthy mode to elicit significant museum experiences. Among the various genres, those of sound art and ambiance distinctively convey the idea of social space. In these genres, the spatialization of sound emerges as an outstanding articulator of an idea of space as being socially built according to an understanding that largely transcends Cartesian and Euclidean models. In this study, I discuss the potentialities of sound to construct a space for museum exhibitions based on the idea of space as being socially constructed, as postulated by Lefebvre and Martina Low. The discussion will be supported by the analysis of the exhibitions The Disharmony of Spheres and Stranger than Kindness: The Nick Cave Exhibition.

声音作为博物馆展览中社交空间的生产者
近年来,以声音为基本元素的多模式展览实践在博物馆呈指数级增长。这种现象是基于这样一种认识,即声音是一种值得注意的模式,可以引发重要的博物馆体验。在各种类型中,声音艺术和氛围艺术鲜明地传达了社会空间的理念。在这些流派中,声音的空间化作为一种出色的表达方式出现,这种表达方式是根据一种很大程度上超越笛卡尔和欧几里得模型的理解而社会构建的空间概念。在本研究中,我将根据列斐伏尔和玛蒂娜·洛(Martina Low)提出的空间是社会建构的概念,讨论声音在构建博物馆展览空间中的潜力。本文将通过对展览《球体的不和谐》和《比善良更陌生:尼克·凯夫展览》的分析来支持本文的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
自引率
10.00%
发文量
63
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