Trust Land

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
K. Easterling
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Abstract

In the wake of civil rights struggles, a rural area in Southwest Georgia became a global stage for rehearsing some of the world's most provocative experiments with community and land tenure. An interracial intentional community, a Nation of Islam farm, the first community land trust, and a wave of cooperative experiments moving through the South in the late 1960s and 1970s found fertile ground around Albany, Georgia. Reflecting solidarity between the civil rights, Pan-African, Nonaligned, and Tricontinental movements, associations with prominent international activists also linked this area in the US South to decolonizing efforts in the Global South just prior to a neoliberal turn. Within these networks, victims of white supremacy modeled approaches to survival that are now broadly relevant to today's social and climate justice work. The story offers spatial tools and surprising histories to ground and energize a fresh wave of activism that looks to collective forms of urban and rural landholding to address racism, whiteness, inequality, reparations, and climate change.
信托土地
在民权斗争之后,佐治亚州西南部的一个农村地区成为了一个全球舞台,上演了一些世界上最具挑衅性的社区和土地保有权实验。一个跨种族的有意社区、一个伊斯兰国家农场、第一个社区土地信托基金,以及20世纪60年代末和70年代在南部进行的一系列合作实验,在佐治亚州奥尔巴尼周围找到了肥沃的土壤。与著名国际活动家的协会反映了民权运动、泛非运动、不结盟运动和三洲运动之间的团结,也将美国南部的这一地区与新自由主义转向之前全球南部的非殖民化努力联系起来。在这些网络中,白人至上主义的受害者模仿了现在与当今社会和气候正义工作广泛相关的生存方法。这个故事提供了空间工具和令人惊讶的历史,为新一轮的激进主义浪潮奠定了基础,并激发了活力,这场激进主义寻求城市和农村土地所有权的集体形式,以解决种族主义、白人、不平等、赔偿和气候变化问题。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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