{"title":"LA EXPOSICIÓN OLVIDADA. EL CAYC EN CHILE, 1973","authors":"Sebastián Valenzuela","doi":"10.32995/rev180.num-45.(2020).art-616","DOIUrl":null,"url":null,"abstract":"In 1972, CAYC (Center for Arte and Communication, Buenos Aires, 1968) opened its exhibition “Hacia un perfil del arte latinoamericano”. The show, organized by the cultural pro moter Jorge Glusberg, included 143 pieces by 36 artists from Argentina, Latin America, The United Stated, and Europe. The exhibition, which traveled around different art spaces in the world, attempted to explore, trough heliographic pieces, a conceptualization of “Latin American” under the lens of the regional conflicts amplified by the political struggles in those years. In this article, I will present how this exhibition, despite been sent to Santiago to be exhib - ited in the National Museum of Fine Arts in 1973, was left forgotten for over 45 years in the museum’s storage due to the coup d’Etat. Today, thanks to the studies of documents, archives and diverse collections, it has been possible to reconstruct this history and study in depth through the analysis of three emblematic artworks.","PeriodicalId":41052,"journal":{"name":"Revista 180","volume":"1 1","pages":"48-57"},"PeriodicalIF":0.2000,"publicationDate":"2020-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista 180","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32995/rev180.num-45.(2020).art-616","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
In 1972, CAYC (Center for Arte and Communication, Buenos Aires, 1968) opened its exhibition “Hacia un perfil del arte latinoamericano”. The show, organized by the cultural pro moter Jorge Glusberg, included 143 pieces by 36 artists from Argentina, Latin America, The United Stated, and Europe. The exhibition, which traveled around different art spaces in the world, attempted to explore, trough heliographic pieces, a conceptualization of “Latin American” under the lens of the regional conflicts amplified by the political struggles in those years. In this article, I will present how this exhibition, despite been sent to Santiago to be exhib - ited in the National Museum of Fine Arts in 1973, was left forgotten for over 45 years in the museum’s storage due to the coup d’Etat. Today, thanks to the studies of documents, archives and diverse collections, it has been possible to reconstruct this history and study in depth through the analysis of three emblematic artworks.
期刊介绍:
Revista 180 is an international academic journal of architecture, art, design and urbanism, published by the Universidad Diego Portales. Revista 180 publishes critical analysis and research in the field of architecture, art, design, urbanism and related areas, prioritizing multidisciplinary studies that have an impact on public policies. Indexed since 2005 in Scopus and since 2006 in the Arts and Humanities Citation Index (A&HCI) of Thomson Reuters, Revista 180 has become an important reference in its area, presenting a distinguished International Editorial Board. The journal publishes articles in Spanish and English.