Micro-Festivals on the Fringe: The OFF d’Avignon in 2020

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2118730

H. Huber

引用次数: 0

Abstract

Abstract The management of the coronavirus crisis of 2020 required immediate and top-down decisions, which contradicts the bottom-up philosophy of the non-curated Festival OFF d’Avignon. As a consequence, the loose organizational structure risked breaking apart and every theatre director acted autonomously by either cancelling the scheduled programme, creating online alternatives, or organising independent micro-festivals. The events of 2020 demonstrate that the non-curated festival is composed of multiple independent theatres following their own artistic orientation and business model. The OFF d’Avignon is, in fact, a festival of festivals.

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边缘的微型节日：2020年的阿维尼翁

摘要2020年冠状病毒危机的管理需要立即做出自上而下的决定，这与非策划的阿维尼翁艺术节自下而上的理念相矛盾。因此，松散的组织结构有破裂的风险，每个剧院导演都会自主行动，要么取消预定的节目，要么创建在线替代方案，要么组织独立的微型电影节。2020年的活动表明，非策划艺术节由多家独立剧院组成，遵循各自的艺术方向和商业模式。事实上，阿维尼翁节是一个由节日组成的节日。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

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0.00%

发文量

期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.