Il Teeteto e il suo rapporto con il Cratilo

Q2 Arts and Humanities
Elenchos Pub Date : 2020-08-01 DOI:10.1515/elen-2020-0002
A. Brancacci
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Abstract

Abstract With the use of a particular metaphor, which appears at the end of the Cratylus and is taken up with perfect symmetry at the beginning of the Theaetetus, Plato certainly wanted to indicate the succession of Cratylus–Theaetetus as an order for reading the two dialogues, which Trasillus faithfully reproduced in structuring the second tetralogy of Platonic dialogues. The claim of the theory of ideas, with which the Cratylus ends, must therefore be considered the background in which to place not only the analysis of the name carried out in the Cratylus, but also the discussion and criticism of the epistemological theories examined and refuted in the Theaetetus. The transition from the discussion of the name to that of the logos is another important theoretical element that connects the two dialogues. Another one is the theory of knowledge, already precisely elaborated in the Cratylus, and taken up and deepened in the Theaetetus. Finally, the theme of false and error is a third theoretical element common to the two dialogues, which, starting from Euthydemus, finds its solution in the Sophist.
Teeteto及其与Cratilo的关系
柏拉图在《克拉提勒斯》的结尾处使用了一个特别的比喻,在《泰阿特图》的开头以完美的对称出现,显然是想表明克拉提勒斯与《泰阿特图》的先后顺序是阅读这两篇对话的顺序,特拉西洛斯在构建《柏拉图对话录》的第二部四联曲时忠实地复制了这一顺序。因此,《克拉提勒斯篇》以理念论的主张而告终,这不仅是《克拉提勒斯篇》中对概念的分析的背景,也是《泰阿泰德篇》中对认识论理论的讨论和批判的背景。从对名称的讨论到对逻各斯的讨论的过渡是连接这两个对话的另一个重要的理论元素。另一个是认识论,在《克拉提勒斯篇》中已经有了精确的阐述,并在《泰阿提图》中得到了补充和深化。最后,假与错的主题是这两篇对话共有的第三个理论要素,从攸西底母开始,在《诡辩家》中找到了答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Elenchos
Elenchos Arts and Humanities-Classics
CiteScore
0.40
自引率
0.00%
发文量
13
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