K. Pearlman, Adelheid Heftberger
{"title":"Recognising Women’s Work as Creative Work","authors":"K. Pearlman, Adelheid Heftberger","doi":"10.17892/APP.2018.0006.124","DOIUrl":null,"url":null,"abstract":"Vorwort zur Ausgabe 6: Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s. (Bild: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)","PeriodicalId":36127,"journal":{"name":"Apparatus","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"9","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Apparatus","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17892/APP.2018.0006.124","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 9
承认妇女工作是创造性工作
第6集:剪辑台上的女性:修正20世纪20年代和30年代的苏联电影史。(图片:Leeanna Walsman饰演的斯维洛娃,在《坐在编辑台上的女人》中创作一个序列©2016 The Physical TV Company)
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