{"title":"From Heathers to Six: Stealth musicals and the TikTok Broadway archive","authors":"Trevor Boffone","doi":"10.1386/smt_00070_1","DOIUrl":null,"url":null,"abstract":"This article explores two popular TikTok trends that use sound bites from the original cast recordings of Heathers: The Musical and Six. The ‘Martha Dumptruck in the Flesh’ challenge from Heathers: The Musical and the ‘Yeah That Didn’t Work\n Out’ challenge from Six were, by and large, completely detached from the musicals. TikTokers who engaged with these trends, therefore, likely did not even know that the sound bites came from musicals. These musicals became what I term ‘stealth musicals’, or undercover\n musicals that proliferate on TikTok in ways that are completely removed from the show’s dramaturgy. As stealth musicals, Heathers: The Musical and Six did not just go viral but stayed viral on TikTok. I argue, therefore, that these two musicals became canonical pieces\n of Gen Z culture. With viral canonization, Heathers: The Musical and Six demonstrate how cultural capital accrues in digital spaces and, as a result, sound bites such as ‘Martha Dumptruck in the flesh’ enter into a public life that extends beyond the musicals themselves.\n Indeed, as I propose, quoting ‘Martha Dumptruck in the flesh’ is as synonymous with Gen Z culture as it is with the musical Heathers.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/smt_00070_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
This article explores two popular TikTok trends that use sound bites from the original cast recordings of Heathers: The Musical and Six. The ‘Martha Dumptruck in the Flesh’ challenge from Heathers: The Musical and the ‘Yeah That Didn’t Work
Out’ challenge from Six were, by and large, completely detached from the musicals. TikTokers who engaged with these trends, therefore, likely did not even know that the sound bites came from musicals. These musicals became what I term ‘stealth musicals’, or undercover
musicals that proliferate on TikTok in ways that are completely removed from the show’s dramaturgy. As stealth musicals, Heathers: The Musical and Six did not just go viral but stayed viral on TikTok. I argue, therefore, that these two musicals became canonical pieces
of Gen Z culture. With viral canonization, Heathers: The Musical and Six demonstrate how cultural capital accrues in digital spaces and, as a result, sound bites such as ‘Martha Dumptruck in the flesh’ enter into a public life that extends beyond the musicals themselves.
Indeed, as I propose, quoting ‘Martha Dumptruck in the flesh’ is as synonymous with Gen Z culture as it is with the musical Heathers.
本文探讨了两种流行的TikTok趋势,它们使用了《希瑟一家》的原始录音片段:音乐剧和《六人行》。《希瑟一家:音乐剧》中的“Martha Dumptruck in The Flesh”挑战和《Six》中的“Yeah That Didn ' t Work Out”挑战基本上完全脱离了音乐剧。因此,参与这些趋势的tiktok用户可能甚至不知道这些声音片段来自音乐剧。这些音乐剧变成了我所说的“隐形音乐剧”,或者是秘密音乐剧,它们在TikTok上以完全脱离节目戏剧的方式扩散。作为隐形音乐剧,《希瑟一家:音乐剧》和《六人行》不仅在抖音上走红,而且在抖音上一直很火。因此,我认为这两部音乐剧成为了Z世代文化的典范。随着《希瑟一家:音乐剧》和《六兄弟》的走红,《希瑟一家:音乐剧》展示了文化资本是如何在数字空间中积累起来的,因此,像“玛莎·垃圾车”这样的声音片段进入了超越音乐剧本身的公共生活。事实上,正如我所说,引用“玛莎·垃圾车真人版”和音乐剧《希瑟一家》一样,都是Z世代文化的代名词。