Rameau's Replay: The Reprise of Peru at the Opéra Bastille

IF 0.1 4区文学 0 LITERATURE, ROMANCE

ESPRIT CREATEUR Pub Date : 2022-06-01 DOI:10.1353/esp.2022.0017

R. I. Díaz

引用次数: 0

Abstract

Abstract:This article explores the place of Peru in Clément Cogitore's staging of Rameau's Les Indes galantes at the Opéra national de Paris in 2019. While the choreography by French hip-hop pioneer Bintou Dembélé showcased the cultural and ethnic diversity of France, the specificity of colonial Peru in "Les Incas du Pérou" (the opera-ballet's second act) appeared at face value to have been expunged for the sake of a universality predicated on narrow terms. Yet, upon closer inspection, Cogitore and Dembélé's work can be seen to mirror and expand on the distinctive tale of hybridity chronicled in Rameau's Peruvian love story.

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拉莫的重播:秘鲁在巴士底监狱的再现

摘要:本文探讨了秘鲁在2019年巴黎国家舞蹈团(opsamra national de Paris)上演的拉莫(ramau)的《galantes》(Les Indes galantes)中的位置。虽然法国hip-hop先锋Bintou demb筹办的舞蹈展示了法国的文化和种族多样性，但从表面上看，《Les Incas du prou》(歌剧-芭蕾舞剧的第二幕)中殖民时期秘鲁的特殊性，似乎是为了狭隘的普遍性而被删除了。然而，仔细观察就会发现，Cogitore和dembsamuise的作品反映并扩展了拉莫秘鲁爱情故事中记载的独特的混血故事。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ESPRIT CREATEUR LITERATURE, ROMANCE-

CiteScore

0.20

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0.00%

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期刊介绍： For more than forty years, L"Esprit Créateur has published studies on French and Francophone literature, film, criticism, and culture. The journal features articles representing a variety of methodologies and critical approaches. Exploring all periods of French literature and thought, L"Esprit Créateur focuses on topics that define French and Francophone Studies today.