Billedtepper fra Gudbrandsdalen og sagnet om Heknesøstrene 

Viking Pub Date : 2022-11-20 DOI:10.5617/viking.9860
M. Vedeler
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Abstract

An intriguing combination of tapestry weave, legend and myth arose in Gudbrandsdalen in the 17th century. The legend about the conjoined twin master weavers is still living as a local story, and is now being conveyed to an international audience through novels written by Lars Mytting. The legend is tightly connected to a distinct form of tapestry weave, depicting biblical stories and narratives rooted in medieval poetry. The traditional interaction between visual and oral storytelling might be an important key to understanding   the   textiles. Visual stories told through tapestries have a long tradition in Norway, traceable from the 9th century tapestries from the Oseberg Viking ship grave onto the tapestries from Gudbrandsdalen. The legends about the extraordinary weavers that created tapestries in Gudbrandsdalen provide an extra dimension, linking the idea of conjoined twins as creatures of paradox with the pre-Christian tradition of natural signs that had to be de-coded. 
17世纪,织锦编织、传说和神话的奇妙结合在古德布兰德斯达伦兴起。关于连体双胞胎织布大师的传说仍然是当地的一个故事,现在正通过拉尔斯·迈廷(Lars Mytting)写的小说传播给国际读者。这个传说与一种独特的挂毯编织形式紧密相连,描绘了植根于中世纪诗歌的圣经故事和叙事。视觉和口头叙述之间的传统互动可能是理解纺织品的重要关键。通过挂毯讲述的视觉故事在挪威有着悠久的传统,可以追溯到9世纪的挂毯,从Oseberg海盗船坟墓到Gudbrandsdalen的挂毯。在Gudbrandsdalen创造挂毯的非凡编织者的传说提供了一个额外的维度,将连体双胞胎作为悖论生物的想法与必须解码的前基督教传统的自然符号联系起来。
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