Memory Zero

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2023-02-01 DOI:10.1162/artm_a_00341

Sean Smuda

引用次数: 0

Abstract

Abstract The repression of memory as a result of trauma from war and social divisions is often an experience that obscures or intensifies personal histories. This is especially true between generations. The Memory Zero project is an attempt to bridge this gap through drawn impressions from intergenerational family stories collaged with image and text searches to locate their approximate times and places. Together this creates, hopefully, a fuller historical and affective context. For this, I drew from family stories and histories in England and Poland before and after World War l. In this way the personal and historical approximations merge into their own continuum, greater than their parts.

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摘要战争和社会分裂造成的创伤对记忆的压抑往往是一种模糊或强化个人历史的经历。这在几代人之间尤其如此。零记忆项目试图通过从代际家庭故事中提取印象，并通过图像和文本搜索来定位他们的大致时间和地点，从而弥合这一差距。希望这两者共同创造了一个更完整的历史和情感背景。为此，我借鉴了第一次世界大战前后英国和波兰的家庭故事和历史。通过这种方式，个人和历史的近似融合成了自己的连续体，比它们的部分更大。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ARTMargins ART-

CiteScore

0.10

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0.00%

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期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.