Digital Juneteenth

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
ANDREA R ROBERTS, Valentina Aduen, Jennifer Blanks, Schuyler Carter, Kendall Girault
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引用次数: 0

Abstract

After Juneteenth, formerly enslaved African Americans in Texas founded hundreds of historic Black settlements known as freedom colonies. Later, freedom colonies’ populations dispersed, physical traces disappeared, and memories of locations vanished as descendants passed away. In the absence of buildings and legally recognized borders, intangible heritage—stories, ephemeral traditions—define a sense of place. Betraying the perception that these places have disappeared, founders’ descendants express commitments to freedom colonies by returning periodically to plan commemorative events, rehabilitate historic structures, and steward cemeteries. The Texas Freedom Colonies Project (The TXFC Project), a team of faculty and student researchers, documents settlements while supporting descendant communities’ historic preservation aims. By making diasporic publics legible and increasing the visibility of communities’ settlement patterns and remaining extant features, The TXFC Project elevates stakeholders’ concerns in urban planning domains. In 2020, COVID-19’s social distancing requirements challenged diasporic descendants’ efforts to foster social cohesion. Consequently, The TXFC Project hosted a Facebook Live “talk show,” leveraging social media platforms to amplify freedom colony descendants’ work. The team analyzed event transcripts revealing cultural adaptations to socially restrictive conditions during Juneteenth commemorations and indicating that virtual storytelling helped territorialize widely dispersed, unbounded places for stakeholders facing natural and human-made disruptions.
数字六月一日
六月一日之后,得克萨斯州以前被奴役的非裔美国人建立了数百个历史悠久的黑人定居点,被称为自由殖民地。后来,自由殖民地的人口分散了,物理痕迹消失了,随着后代的去世,对地点的记忆也消失了。在没有建筑和法律承认的边界的情况下,非物质遗产——故事、短暂的传统——定义了一种地方感。创始人的后代背叛了这些地方已经消失的看法,通过定期返回计划纪念活动、修复历史建筑和管理墓地来表达对自由殖民地的承诺。德克萨斯自由殖民地项目(TXFC项目)是一个由师生研究人员组成的团队,在支持后代社区历史保护目标的同时,记录定居点。TXFC项目通过让散居的公众清晰可见,并提高社区定居模式和剩余现存特征的可见性,提升了利益相关者在城市规划领域的关注。2020年,新冠肺炎的社交距离要求挑战了散居海外的后代培养社会凝聚力的努力。因此,TXFC项目举办了一场脸书直播“脱口秀”,利用社交媒体平台来扩大自由殖民地后代的工作。该团队分析了活动记录,揭示了六月一日纪念活动期间文化对社会限制条件的适应,并表明虚拟故事有助于为面临自然和人为干扰的利益相关者提供广泛分散、无限制的场所。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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