Effects of Conducting With or Without a Musical Score on Observers’ Perceptions of Conductors

IF 1.2 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
D. G. Springer, B. Silvey, Nickolas Doshier, Faith Hall
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引用次数: 0

Abstract

The purpose of this study was to examine the effects of conductor score use (conducting with a musical score vs. conducting without a score) on observers’ perceptions of conductors. We also examined how those effects may differ when viewed from the ensemble perspective compared to the audience perspective. Participants ( N = 126) were collegiate musicians who viewed two video recordings of a conductor leading a collegiate symphonic band through an excerpt of Grainger’s Colonial Song. In one video, participants viewed the conductor using a musical score. In the other video, the conductor did not use a musical score. Half of the participants viewed the videos showing the front view of the conductor (ensemble perspective), and the other half viewed the back view of the conductor (audience perspective). Participants rated the conductor’s competence and knowledge of the score in each video. Results indicated a significant effect due to score condition. However, that effect was not independent of viewing perspective or presentation order. Responses to open-ended questions indicated that conductor gesture was the most common aspect observed by participants, but participants also reported that conductor score use was one of the common aspects noticed when evaluating knowledge of the score.
有或没有乐谱的指挥对观察者对指挥家看法的影响
本研究的目的是检验指挥乐谱的使用(有乐谱指挥与没有乐谱指挥)对观察者对指挥的看法的影响。我们还研究了从合奏的角度与观众的角度来看,这些效果是如何不同的。参与者(N = 126)是大学音乐家,他们观看了两段录像,其中一段是一位指挥家带领一个大学交响乐团,另一段是格兰杰的《殖民之歌》的节选。在一段视频中,参与者用乐谱观看指挥。在另一段视频中,指挥家没有使用乐谱。一半的参与者观看了指挥家正面的视频(合奏视角),另一半观看了指挥家背面的视频(观众视角)。参与者对每个视频中指挥的能力和对乐谱的了解程度进行了评分。结果显示,评分条件有显著影响。然而,这种效果并非与观看角度或呈现顺序无关。对开放式问题的回答表明,指挥手势是参与者观察到的最常见的方面,但参与者也报告说,在评估对乐谱的了解时,指挥分数的使用是最常见的方面之一。
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来源期刊
CiteScore
3.40
自引率
7.10%
发文量
20
期刊介绍: The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.
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