Performative Didactics in a Technological Environment

N. Carlomagno, F. Cordella, Valeria Minghelli, Pier Cesare Rivoltella
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Abstract

Abstract The didactic-performative experience at a distance, centred on the body in action of the training laboratories activated at the University of Study Cattolica del Sacro Cuore of Milan and the University of Study Suor Orsola Benincasa of Naples, encouraged, through the exercise of ‘simplex property’ of the separation of functions, the crossing of borders of ‘presence/distance’, using Didactics at Distance (DAD) as an opportunity to search in everyone the potential patrimony of the action, able to go beyond the classical meanings of interaction, relationship, experience, emotion, through an effort of imagination and simulation, which even interaction with the machine can stimulate. The research work recalls the ambivalence and the plurality of interpretative keys of the teaching experience and includes its analogies with the performing arts. Starting from the ‘stage presence’, as a scenic ‘bios’ and source of energy, a third energetic space has been investigated, which can amplify the relational dimension. A space which the biologist Sheldrake defines as ‘morphogenetic field’ is the one in which it is possible, through the activation of an empathic climate, to make all the processes of emotional sharing, expressive rediscovery and acquisition of awareness sprout, making the experience of DAD a formative and transformative one.
技术环境下的表演教学
摘要以米兰Cattolica del Sacro Cuore研究大学和那不勒斯Suor Orsola Benincasa研究大学激活的训练实验室的身体为中心的远距离教学表演体验,通过行使功能分离的“单一性质”,鼓励跨越“存在/距离”的边界,使用远程教学法(DAD)作为一个机会,在每个人身上寻找行动的潜在遗产,能够通过想象和模拟的努力超越互动、关系、经验、情感的经典意义,即使与机器的互动也能激发这种意义。研究工作回顾了教学经验的矛盾心理和多重解释键,并包括其与表演艺术的类比。从“舞台存在”开始,作为一个风景优美的“生物”和能量来源,研究了第三个能量空间,它可以放大关系维度。生物学家Sheldrake将一个空间定义为“形态发生场”,即通过激活移情氛围,使情感分享、表达性重新发现和获得意识的所有过程萌芽的空间,使DAD的体验成为一种形成性和变革性的体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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