Refugees Welcome? Illustrative storytelling to challenge apathy towards refugees

IF 0.2 0 ART
Hayfaa Chalabi
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Abstract

The illustrator and storyteller Hayfaa Chalabi writes and draws about what kind of design the Migration Board uses to visualize the asylum process. She tells about her own asylum experience and the roles that refugees are forced into. The work becomes a place for memory and history writing where Chalabi tries to understand how to document a process that is prohibited to be documented by the person undergoing it. How and why is the same emotion, such as fear, expressed and processed differently depending on one’s possibilities or impossibilities? This essay therefore aims to explore the tool of illustrative storytelling to challenge governmental restrictions faced by refugee narratives in Sweden. This exploration is done through the study of stereotypes that stigmatize the refugee’s identity. The figure of the refugee is often shaped by the visual representation one consumes via mass media and the words one hears in political debates and social discourse. Refugees are often portrayed as immigrants and nothing but immigrants, faceless victims on news and often de-named suffering people drowning in some ocean. This portrayal makes the humanity of the refugee invisible. A human who has a face, a name, a past, a story beyond his/her refugee story and most importantly an identity and rights.
难民欢迎吗?说明性的故事挑战对难民的冷漠
插画家和说书人Hayfaa Chalabi撰写并描绘了移民局使用什么样的设计来可视化庇护过程。她讲述了自己的避难经历和难民被迫扮演的角色。作品成为记忆和历史写作的场所,在这里,沙拉比试图理解如何记录一个被禁止被经历它的人记录的过程。同样的情绪,如恐惧,如何以及为什么会根据一个人的可能性或不可能性而不同地表达和处理?因此,本文旨在探讨说明性讲故事的工具,以挑战瑞典难民叙述所面临的政府限制。这一探索是通过对难民身份污名化的刻板印象的研究来完成的。难民的形象通常是由人们通过大众媒体消费的视觉表现和人们在政治辩论和社会话语中听到的话语塑造的。难民经常被描绘成移民,只不过是移民,新闻中没有面孔的受害者,往往是在海洋中淹死的无名受难者。这种描绘使难民的人性变得不可见。一个有脸、有名字、有过去、有难民故事之外的故事,最重要的是有身份和权利的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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