Javanese Women’s Reprenstation in Adaninggar – Kelaswara Dance

Luciana Intan Prihatini, Sri Iswidayati, H. Hartono
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引用次数: 0

Abstract

Adaninggarelaswara dance is a classical dance which got influence of Chinese ethnic. The dancers’ movements called gesture meaningful with normative value of Javanese woman as well as still relevant in Javanese woman lives today. The research aims to describe Adaninggar-Kelaswara dance performance, identify women’s representation in Adaninggar-Kelaswara dance movement and also to communicate the pragmatic message to women through Adaninggar-Kelaswara dance movement. The method of this study used qualitative method and interpretative semiotics approach. The source of data used primary and secunder data through the techniques of data were observation, interview, and documentary. The technique of authorized data was the use of source triangulation and the techniques of analyzing data using Barthes cultural semiotic. The conclusion of the dance movement in cultural semiotics indicate that Adaninggar-Kelaswara dance movement relating to the way of live and Javanese woman’s personality values. This finding is hoped to become the referential for the further research on Adaninggar-Kelaswara dance with other methods in order to explore the cultural values of Java, especially concerning to women representation.
爪哇妇女在阿丹宁嘎-克拉斯瓦拉舞蹈中的表现
阿达宁加拉舞是一种受中国民族影响的古典舞蹈。舞者的动作被称为手势,具有爪哇妇女的规范价值,在今天的爪哇妇女生活中仍然存在。本研究旨在描述阿达宁加·克拉斯瓦拉的舞蹈表演,识别女性在阿达宁加·科拉斯瓦拉舞蹈运动中的代表性,并通过阿达宁加·卡拉斯瓦拉舞蹈动作向女性传达务实的信息。本研究的方法采用了定性方法和解释符号学方法。通过数据技术使用的数据来源是观察、访谈和文献。授权数据的技术是使用源三角测量和使用巴特文化符号学分析数据的技术。文化符号学对舞蹈运动的结论表明,阿达宁加·克拉斯瓦拉舞蹈运动与生活方式和爪哇妇女的人格价值有关。这一发现有望为进一步研究阿达宁加凯拉斯瓦拉舞蹈提供借鉴,以探索爪哇的文化价值,特别是女性代表性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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