{"title":"The Sun King’s Silver: An Artisan-Centered Study of the Silver Furnishings of Louis XIV","authors":"C. Clarke","doi":"10.1086/725983","DOIUrl":null,"url":null,"abstract":"In December 1689, Louis XIV consigned his vast collection of silver furnishings to the crucibles of the Royal Mint. Although the celebrated collection took on legendary status that has persisted in popular and scholarly narratives of the reign of the Sun King ever since, the material and the documentary archive nonetheless offer a limited picture. This article seeks to demonstrate that reexamining the archive with reference to a chaîne opératoire framework that centers on artisanal practice can help to illuminate these absent artifacts. This attention to production and process allows a view beyond the representational surfaces. In the hands of networks of expert specialists—goldsmiths, joiners, sculptors, ironmongers, founders, ébénistes, and probably more besides—these pieces combined cross-trade expertise and diverse techniques, revealing sophisticated deployments of material and coordination of artisanal skills.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":"29 1","pages":"175 - 192"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"West 86th-A Journal of Decorative Arts Design History and Material Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/725983","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
In December 1689, Louis XIV consigned his vast collection of silver furnishings to the crucibles of the Royal Mint. Although the celebrated collection took on legendary status that has persisted in popular and scholarly narratives of the reign of the Sun King ever since, the material and the documentary archive nonetheless offer a limited picture. This article seeks to demonstrate that reexamining the archive with reference to a chaîne opératoire framework that centers on artisanal practice can help to illuminate these absent artifacts. This attention to production and process allows a view beyond the representational surfaces. In the hands of networks of expert specialists—goldsmiths, joiners, sculptors, ironmongers, founders, ébénistes, and probably more besides—these pieces combined cross-trade expertise and diverse techniques, revealing sophisticated deployments of material and coordination of artisanal skills.
1689年12月,路易十四将他收藏的大量银质家具委托给皇家造币厂的坩埚。尽管这些著名的收藏在太阳王统治时期的流行和学术叙述中一直具有传奇的地位,但这些材料和文献档案仍然提供了有限的画面。本文试图证明,参考以手工实践为中心的cha ne opsamatoire框架重新检查档案可以帮助阐明这些缺失的工件。这种对生产和过程的关注允许超越表象表面的观点。在专业人士——金匠、细木工、雕塑家、铁器商、创始人、和其他可能更多的人——的手中,这些作品结合了跨行业的专业知识和不同的技术,揭示了材料的复杂部署和手工技能的协调。