The Musical Creativity of Senggol Tromol Semarang in The Context of Social Change

Sugeng Apriadi, W. Wadiyo
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引用次数: 2

Abstract

Senggol Tromol is a parody music group from Semarang, most of their songs are representation of phenomenon which is trending in society for a certain period of time. The phenomenon would only last for a certain period of time because of social change happens in the society. The purpose of this study is to analyze the creative process and the social change which happen to Senggol Tromol. This study used qualitative method with observation, interview, and documentation as the method of collecting data. The methods of data analysis were data collection, data presentation, data reduction, and data verification. The results of the study show that in the creative process, Senggol Tromol did not always create new works, but they also modified existing ones. The steps were searching for inspiration, gathering ideas, determining the target listener, determining the themes, creating song structure and arrangement. The social change happens in Senggol Tromol went along with the presence of digital music platform which replaced physical release era, used by them as the promotion media to sell their works digitally.
社会变迁背景下的三宝郎圣歌Tromol音乐创作
Senggol Tromol是一个模仿三宝垄的音乐团体,他们的歌曲大多代表了一段时间内社会流行的现象。这种现象只会持续一段时间,因为社会发生了变化。本研究的目的是分析森戈尔·特罗摩尔的创作过程和所发生的社会变革。本研究采用观察、访谈和文献资料相结合的定性方法收集数据。数据分析的方法包括数据收集、数据展示、数据简化和数据验证。研究结果表明,在创作过程中,森戈尔·特罗摩尔并不总是创作新作品,但他们也对现有作品进行了修改。这些步骤包括寻找灵感、收集想法、确定目标听众、确定主题、创作歌曲结构和编排。Senggol Tromol发生的社会变革伴随着数字音乐平台的出现,数字音乐平台取代了实体发行时代,被他们用作数字销售作品的推广媒体。
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24 weeks
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