Mark McClelland’s "Upload" (2012)

Q1 Arts and Humanities
Carmen Laguarta-Bueno
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引用次数: 0

Abstract

In recent years and, in light of the latest developments in the field of neurotechnology, some critics have claimed that mind uploading could become technically feasible in a not-too-distant future. While transhumanist critics embrace this procedure and dream of a postbiological future in which human beings possess greater cognitive, emotional, and sensorial abilities, the critical posthumanists warn of the risks inherent to the idea of leaving biology behind to lead a virtual life in cyberspace. Significantly, these warnings reverberate in some twenty-first century cultural productions such as Mark McClelland’s Upload (2012), a novel that is also representative of an emerging trend of SF novels written by tech professionals. Although the novel may seem to be at first a defense of simulated life, this work aims to prove that McClelland’s narrative choices ultimately uncover a critical posthumanist view of embodiment as an essential part of human identity.
马克·麦克利兰的《上传》(2012)
近年来,鉴于神经技术领域的最新发展,一些评论家声称,在不久的将来,思维上传在技术上可能变得可行。尽管跨人类主义评论家接受这一程序,并梦想着人类拥有更大的认知、情感和感官能力的后生物学未来,但批判性的后人类主义者警告说,放弃生物学在网络空间过虚拟生活的想法所固有的风险。值得注意的是,这些警告在一些21世纪的文化作品中产生了反响,比如马克·麦克莱兰的《上传》(2012),这部小说也代表了科技专业人士创作的科幻小说的新兴趋势。尽管这部小说一开始似乎是对模拟生活的辩护,但这部作品旨在证明麦克莱兰的叙事选择最终揭示了一种批判性的后人文主义观点,即化身是人类身份的重要组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of English Studies
Journal of English Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
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0
审稿时长
50 weeks
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