The Scientific Revolution in Art

IF 0.1 3区 哲学 Q4 HISTORY & PHILOSOPHY OF SCIENCE
Robert Fleck
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引用次数: 0

Abstract

In the continuing spirit of narrowing the gap between the “two cultures,” this essay illustrates, quite literally through representative works of Western art, the striking parallels between the visual arts and the discoveries made during the Scientific Revolution, the period between Copernicus’s 1543 De revolutionibus and Newton’s 1687 Principia when the foundations of modern science swept away the scientific heritage of the ancient and medieval worldviews, a period that, though underrepresented in art–science studies, marked the birth of the modern mind and, indeed, the modern world.

艺术的科学革命
本着继续缩小“两种文化”差距的精神,这篇文章通过西方艺术的代表性作品,毫不字义地说明了视觉艺术与科学革命期间的发现之间惊人的相似之处。科学革命是哥白尼1543年的《革命论》和牛顿1687年的《原理》之间的时期,现代科学的基础扫除了古代和中世纪世界观的科学遗产,这一时期虽然在艺术科学研究中代表性不足,但标志着现代思想的诞生。现代世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Physics in Perspective
Physics in Perspective 物理-科学史与科学哲学
CiteScore
0.60
自引率
0.00%
发文量
10
审稿时长
>12 weeks
期刊介绍: Physics in Perspective seeks to bridge the gulf between physicists and non-physicists through historical and philosophical studies that typically display the unpredictable as well as the cross-disciplinary interplay of observation, experiment, and theory that has occurred over extended periods of time in academic, governmental, and industrial settings and in allied disciplines such as astrophysics, chemical physics, and geophysics. The journal also publishes first-person accounts by physicists of significant contributions they have made, biographical articles, book reviews, and guided tours of historical sites in cities throughout the world. It strives to make all articles understandable to a broad spectrum of readers – scientists, teachers, students, and the public at large. Bibliographic Data Phys. Perspect. 1 volume per year, 4 issues per volume approx. 500 pages per volume Format: 15.5 x 23.5cm ISSN 1422-6944 (print) ISSN 1422-6960 (electronic)
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